The druidical claims for Stonehenge seem to belong to that bonkers-but-persistent strand of Englishness that believes there is something particularly mystical about the English themselves, who were clearly a chosen people.

Transport is not a ministry the ambitious should accept: no transport minister has gone on to be prime minister.

It is surprising how many people who don't read believe they have a book in them. Why? Nobody would imagine that Alfred Brendel took up the piano on a whim at 25 when he found accountancy unpleasant.

In Sydney, I gave what was billed as a masterclass to bright students of writing at the University of Sydney. But the term 'masterclass' was possibly over-egging the pudding. All I could do was pass on some lessons from my own life, and the most obvious is that if you want to be a writer, you must first have been a reader.

We authors certainly don't know what is going to happen to our books. Are they going to disappear into the ether, following music downloads, or are ebooks going to open up a whole new world of readers? And how much are we being paid per copy? We haven't a clue.

'A Just Defiance' has been a huge success in South Africa. While reading at times like a well-written thriller, its significance is to reveal apartheid to have been far more brutal, ruthless, and self-serving even than we had suspected.

'Point Omega' starts in an art gallery, where an unnamed man is watching, day after day, a 24-hour version of 'Psycho,' an installation that was created by the Scottish artist, Douglas Gordon. In it, the events and the minutiae of Hitchcock's film are painfully slowly reproduced; the watcher is obsessed with the detail revealed.

America is the big subject of the second half of the 20th century, tackled in one form or another by all the great American male writers. You could make a case for saying that it was the only game in town - from Bellow to Roth to Updike to Richard Ford - America was more or less explicitly the leitmotif.

A connection between poetry and blindness is a classical trope.

Homer Collyer's chosen form of self-expression is the piano, although late in life, when his hearing also goes, he takes to writing.

Just before the opening of the 20th century, the Collyer brothers, Homer and Langley, are born into great privilege on the Upper East Side of New York, in a mansion overlooking Central Park.

Personally, I have detested Gordon Brown since the moment in 2001 when he tried to make cheap capital out of the Laura Spence affair; as his troubles have piled up, I have felt no sympathy for him at all.

The Bodleian Library, next to the Sheldonian, is one of the great libraries of the world. As well as holding most of the books printed in England since the first quarter of the 17th century, it houses priceless printed texts, manuscripts, and collections.

'The Infinities' is a shortish book but densely loaded with Nabokovian slyness, gorgeous imagery, and disturbing insights into what it means to be mortal.

As I read 'The Infinities', with its magical, playful richness, its sensuous delight in the power of language to convey the strangeness and beauty of being human, I wondered if J. M. Coetzee, with his bleak, pared-down, elemental view of the world, had ever read a Banville and, if he had, whether he had envied him his astonishing powers.

Helen Zille, formidable leader of the Democratic Alliance, routinely vilified as representing white interests only, is trying to make sure everyone knows that the case against Zuma is strong and is trying to have it investigated in a judicial review.

The ANC was the product of a much earlier South Africa, a gradualist and non-tribal multi-racial organisation, driven to violence by the intransigence of the Afrikaner Nationalist Government, obsessed with improbable ideas of revolution.

When I wrote my first serious novel, 'Interior', I was inspired by a 1978 book of Updike's, 'The Coup', which is set in Africa and will come as a delightful surprise to anyone who has only read his Americana.

I love John Updike immoderately. I am profoundly shocked that he has gone because he was, for me, the greatest American writer of the second half of the 20th century. He was also a gracious, charming, and witty man.

The successful advertising agent is the one who can convince the clients that he knows something they don't.

In a way, advertising, for all its shallowness, its love of design, its modishness and its self-justification, is curiously innocent. The idea of the hidden persuader or the manipulator is largely absurd.

Advertising, the product of capitalism, can only justify itself on the premise that the market is a force for good.

'Powers of Persuasion: The Story of British Advertising' by Winston Fletcher - the impression you get from reading this book, which covers post-war advertising until the present, is of a chaotic, self-serving, occasionally brilliant but ultimately shallow business.

Germany led the world in photography and film: 'The Cabinet of Dr Caligari' and 'Metropolis' are works that, to this day, film buffs revere.

Great architects like Taut, Mendelsohn, and Gropius built some astonishing buildings which were to change the way architects around the world thought. Brecht and Weill forever changed musical theatre; Kaethe Kollwitz and others changed German perceptions of the purposes of art.

For novelists, sharply drawn moral conflicts are often useful, and even human and personal disasters can be seen as material.

It is true that it is usually for their books that novelists reserve their most considered and ordered thoughts, but the fact is they arise inescapably from one consciousness: the same one that is occupied in all the other activities which make up a life.

It is a commonplace to say that novelists should be judged by their work rather than their private lives or their publicly expressed views. And writers, of course, subscribe enthusiastically to this idea.

Winning the Whitbread was a very major thing for me. I'd always been well reviewed, but this made me widely read.

I thought that, post-apartheid, there would be absolutely no interest in South Africa. That has been both true and untrue. The major writers like Gordimer and Coetzee have produced major books. But some of the more minor writers have drifted away.

If I was at home, I'd find myself checking email and looking at the Internet when I should be working. In the library, I can get an awful lot done in a couple of hours, but it can become quite sociable, which you have to watch out for. There are a lot of people you can pop out and have a coffee with.

I suppose on the filmmaking side, you can learn how to cram a lot into a small space. But I think that advertising, even on what is called the creative side, is incredibly easy if you have that kind of mind. A lot of people regard it as Machiavellian and dangerous, but, in fact, it is morally neutral.

The working-class Africans are not doing very well, and one of the problems is their education is so shocking. It is routinely said it is a result of apartheid. Deliberately, black people were not allowed to know too much. They could read and write a bit to be useful, but that's about it.

This Oscar Pistorius business is interesting. There is this cult of carrying lots of guns and being ready to shoot somebody. There were people I knew had guns and carried them openly around Johannesburg. It is frowned on now to carry a gun, but Pistorius and co. got away with it.

I was lucky to get to Oxford. I am now an honorary fellow of my old college, which is nice, particularly for a colonial like me.

When Doris Lessing won the Nobel Prize for Literature at the age of 88, she was the oldest person ever to receive the prize and one of only 11 female winners in its history. Her award was the end of a very long journey from a remote farm in Rhodesia to a banquet at Stockholm's Stadshus, the grand city hall in Stockholm.

There's this idea of bankers retiring and painting watercolours. You can't dabble in art - it's a life. Being a writer, an artist... is a whole life.

If I had been brought up in America, I think I would still have had the same sort of job as a writer.

The point about 'state-of-the-nation' novels is not that they should be about the 'state-of-the-nation', but they should be about people.