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I connect better with music when I see the people singing it.
If you're making $10 an hour and you're doing your job and you're doing it well and your check is consistently $8.75 an hour, who wouldn't stand up for themselves?
I don't think any of us ever trusted Nashville. When you're in that town you know everybody is talking about everybody else. Everybody is wishing for the other guy to fail.
As an artist, your only way to battle your label if you have a discrepancy is to go to court. I don't understand why you can't both agree if you have an accounting problem to have a third party to assess the situation.
I'd rather have a smaller following of really cool people who get it, who will grow with us as we grow and are fans for life, than people that have us in their five-disc changer with Reba McEntire and Toby Keith.
When, no matter what you do, everybody's going to punch holes in it, then you just go and you do what you want. And that's the most freeing place to be.
I'd love my kids to get into music, but I want them to understand the commitment involved. I don't want them to look on 'American Idol' as the way to become famous.
Lilith Fair was a great experience for us the first time we played it. We were... not a new band, but a new band as far as mainstream kind of airplay or success.
We don't feel part of the country scene any longer, it can't be our home any more... So we now consider ourselves part of the big Rock 'n' Roll family.
I think you first have to feel 100% comfortable with the person that you are with. I have written in sessions where I am just meeting the person for the first time and it is extremely difficult.
Ever since I was a little girl music was my escape and it was something that I did and was a huge part of me; aside from what my grades were in school. It was something that was truly mine.