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Most young people were getting jobs in big companies, becoming company men. I wanted to be individual.
Haruki Murakami
I'm not intelligent. I'm not arrogant. I'm just like the people who read my books. I used to have a jazz club, and I made the cocktails and I made the sandwiches. I didn't want to become a writer - it just happened.
I lost some of my friends because I got so famous, people who just assumed that I would be different now. I felt like everyone hated me. That is the most unhappy time of my life.
Most people dream a dream when they are asleep. But to be a writer, you have to dream while you are awake, intentionally. So I get up early in the morning, 4 o'clock, and I sit at my desk and what I do is just dream. After three or four hours, that's enough. In the afternoon, I run. The next day, the dream will continue.
You have to dream intentionally. Most people dream a dream when they are asleep. But to be a writer, you have to dream while you are awake, intentionally.
Many people tell me that they don 't know what to feel when they finish one of my books because the story was dark, or complicated, or strange. But while they were reading it, they were inside my world and they were happy. That's good.
Most near-future fictions are boring. It's always dark and always raining, and people are so unhappy.
I know how fiction matters to me, because if I want to express myself, I have to make up a story. Some people call it imagination. To me, it's not imagination. It's just a way of watching.
You have to be practical. So every time I say, if you want to write a novel you have to be practical, people get bored. They are disappointed. They are expecting a more dynamic, creative, artistic thing to say. What I want to say is: you have to be practical.
My heroes don't have anything special. They have something to tell other people but they don't know how, so they talk to themselves.
Young people these days don't trust anything at all. They want to be free.
Some people think literature is high culture and that it should only have a small readership. I don't think so... I have to compete with popular culture, including TV, magazines, movies and video games.
Original manuscripts are private information. Like personal letters, there are parts I don't want other people to see.
It is my huge pleasure that my novels are translated into languages that are read among small numbers of people.
People soon get tired of things that aren't boring, but not of what is boring.
If you try to use your head to think about things, people don't want to have anything to do with you
Everybody has some one thing they do not want to lose," began the man. "You included. And we are professionals at finding out that very thing. Humans by necessity must have a midway point between their desires and their pride. Just as all objects must have a center of gravity. This is something we can pinpoint. Only when it is gone do people realize it even existed.
She was a keen observer, a precise user of language, sharp-tongued and funny. She could stir your emotions. Yes, really, that's what she was so good at - stirring people's emotions, moving you. And she knew she had this power...I only realized later. At the time, I had no idea what she was doing to me.
They take the circuits out of people’s brains that make it possible for them to think for themselves. Their world is like the one that George Orwell depicted in his novel. I’m sure you realize that there are plenty of people who are looking for exactly that kind of brain death. It makes life a lot easier. You don’t have to think about difficult things, just shut up and do what your superiors tell you to do.
Suicides? Heart attacks? The papers didn't seem interested. The world was full of ways to die, too many to cover. Newsworthy deaths had to be exceptional. Most people go unobserved.
One last word of advice, though, Mr. Okada, though you may not want to hear this. There are things in this world it is better not to know about. Of course, those are the very things that people most want to know about. It's strange.
So this was how secrets got started, I thought to myself. People constructed them little by little. I had not intended to keep May Kasahara a secret from Kumiko. My relationship with her was not that big a deal, finally: whether I mentioned it or not was of no consequence. Once it had flown down a certain delicate channel, however, it had become cloaked in the opacity of secretiveness, whatever my original "intention" had have been.
Whether in music or in fiction, the most basic thing is rhythm. Your style needs to have good, natural, steady rhythm, or people won't keep reading your work.
In any case, suffice it to say I enjoyed hearing about faraway places. I had stocked up a whole store of these places, like a bear getting ready for hibernation. I'd close my eyes, and streets would materialize, rows of houses take shape. I could hear people's voices, feel the gentle, steady rhythm of their lives, those people so distant, whom I'd probably never know.
While they're still alive, people can become ghosts.
You know, eating's much more important than most people think. There comes a time in your life when you've just got to have something super-delicious. And when you're standing at that crossroads your whole life can change, depending on which one you go into - the good restaurant or the awful one.
Rousseau defined civilizations as when people build fences.
Certain kinds of knowledge rob people of their sleep.
The house kept its own time, like the old-fashioned grandfather clock in the living room. People who happened by raised the weights, and as long as the weights were wound, the clock continued ticking away. But with people gone and the weights unattended, whole chunks of time were left to collect in deposits of faded life on the floor.
Maybe time is nothing at all like a straight line. Perhaps it's shaped like a twisted doughnut. But for tens of thousands of years, people have probably been seeing time as a straight line that continues on forever. And that's the concept they based their actions on. And until now they haven't found anything inconvenient or contradictory about it. So as an experiential model, it's probably correct.
Why do people have to build such depressing places? I'm not saying that every nook and cranny of the world has to be beautiful, but does it have to be this ugly?
If I stayed here, something inside me would be lost forever—something I couldn't afford to lose. It was like a vague dream, a burning, unfulfilled desire. The kind of dream people have only when they're seventeen.
People are drawn deeper into tragedy not by their defects but by their virtues.
I think most people live in fiction...That's how you keep your fragile body intact.
Even if you don't acknowledge it, people die, and guys sleep with girls. That's just how it is.
I realize now that the reality of things is not something you convey to people but something you make.
I was confident that I was a special person. But time slowly chips away at life. People don't just die when their time comes. They gradually die away, from the inside. And finally the day comes when you have to settle accounts. Nobody can escape it. People have to pay the price for what they've received. I have only just learned that truth.
Ordinary imperfect people, always choose similarly imperfect people as friends.
I may not be the most likable person in the world, but I try not to upset people.
Some people can work their butts off and never get what they're aiming for while others can get it without any effort at all.
They put up with such strenuous training, and where did their thoughts, their hopes and dreams, disappear to? When people pass away, do their thoughts just vanish?
I was dying. Like all the other people who live in this world.
What the world needs is a set villain that people can point at and say, “It’s all your fault!
Most people are not looking for provable truths. As you said, truth is often accompanied by intense pain, and almost no one is looking for painful truths. What people need is beautiful, comforting stories that make them feel as if their lives have some meaning. Which is where religion comes from.
Whenever an occasion arose in which she needed an opinion on something in the wider world, she borrowed her husband's. If this had been all there was to her, she wouldn't have bothered anyone, but as is so often the case with such women, she suffered from an incurable case of of pretentiousness. Lacking any internalized values of her own, such people can arrive at a standpoint only by adopting other people's standards or views. The only principle that governs their minds is the question "How do I look?
It's a quiet place, so people talk quietly," said Naoko. She made a neat pile of fish bones at the edge of her plate and dabbed at her mouth with a handkerchief. "There's no need to raise your voice here. You don't have to convince anybody of anything, and you don't have to attract anyone's attention.
Forgive me for stating the obvious, but the world is made up of all kinds of people.
I never trust people with no appetite. It's like they're always holding something back on you.
Huge organizations and me don't get along. They're too inflexible, waste too much time, and have too many stupid people.