Part of why daycare is so poorly paid is because the sense that they're prisoners of love, that daycare workers love their work so much that they don't need to be paid fairly. It's this sense of, 'Oh well, labor and love are two different things.'

I used to teach at the Columbia journalism school, and I would tell my students that every book has to have a sentence that motivates it.

One thing we're doing with the Economic Hardship Reporting Project, the nonprofit I direct, is providing financial support to journalists who were formerly middle-class.

The people who talk about the middle class aren't upholding their interests in the legislature.

I was just a bright, driven kid.

Giftedness gives you this amazing tool kit for handling self-discipline and gives you an area of knowledge, but then it also gives you this weird set of aspirations.

A lot of the things that bore adults don't bore children, and people forget that. In some ways, boredom is a projection of adults because we can't remember what childhood was like.

I'm not one of these anti-TV people.

Civic poetry is public poetry. It is political poetry. It is about the hard stuff of life: money, crime, gender, corporate excess, racial injustice. It gives expression not just to our rites but also to our problems and even our values; these poems are not about rustic vacations.

Civic poetry offers us a way to think and talk about issues that so much of public speech ignores, to make them new by dissecting and repurposing public speech, prying its falsehoods from its half-truths. It is fighting for its right to critique our would-be democracy.

There are caste systems in American cities: Many are marginalized to the edges of urban centers due to real estate costs; price tags seem to lurk around human encounters; there's a cult of overwork in the middle class; workers at your local manicurist, your local fast casual restaurant, are exploited.

Piercing minds go mute around poetry. It is imagined to be overly technical, like advanced arithmetic; otherworldly, priestess-like; suffocatingly personal; excessively decorative; exhaustingly bourgeois or tiringly avant-garde.

My husband was 50; I was in my late 30s. We had lived adulthoods that did not include infants, except as metaphors. And then, like so many in today's America, we had a baby in later life.

Even as a child, I had walked down streets reading novels, waiting for my feet to get stuck in tar as I crossed the road, like the absent-minded animal in a Richard Scarry kid's book.

Unnatural constructs - cities and medical pain management - have always seemed pretty good to me.

I saw my gender - and myself - as something of a construct. Like anyone who read one too many women studies' books in the 1990s, I aspired to both 'do' and undo my sex.

There is a set of emotions around money and new technology and advertising and that sort of thing, and there is this kind of changing, transforming way we go through the world happening. The lyrical eye, the perspective of poetry, can get to something like this when other forms of writing can't.

When I was doing my research for 'Branded,' I'd meet groups of teenagers and preteenagers or tweens, and they would laugh at a magazine spread in a women's magazine or teen girl magazine and say, 'I'd never buy this outfit. I know these girls are starving themselves.' But they probably would go out and buy the thing eventually.

I think teens trust each other's opinions about products because of the quality of authenticity that they think their friend's recommendation has.

I think cool originates with the jazz culture in the '40s. There was probably cool before that, but that's when people started talking about cool - Miles Davis and Charlie Parker and a bunch of other early, cool jazz folk.

If everybody is a Facebook friend, what is an actual friend?

We in America believe in starting over - and over and over.

While more people are working later in life because of happy things like longer life expectancy, they are also doing so because of very sad things, like a lack of Social Security benefits or retirement plans.

There is a psychological and physical toll from the pressure to recreate ourselves in midlife. To survive as workers, we have to deny, on some level, the realities of our bodies - bodies that age and give birth.

Self-reinvention is an encouraging conceit. It is simply not always a possible one.

I think there's a contempt for care work and caregiving in this country that seeps into how we think about mothers, professional workers who are mothers.

When I got pregnant with my daughter, both my husband and I were freelancers, and we didn't have that much security. We had savings. We were better off than many people, but we didn't have, you know, pensions and all the things that people used to have.

Hipster Sexism consists of the objectification of women but in a manner that uses mockery, quotation marks, and paradox: the stuff you learned about in literature class. As funny as Dunham's 'Girls' is, it can definitely border on Hipster Sexism.

Like Hipster Racism, Hipster Sexism is a distancing gesture, a belief that, simply by applying quotations, uncool, questionable, and even offensive material about women can be alchemically transformed.

At the end of the day, the truth is that if - when - robots prevail, so many vocations will actually become close to impossible. Save for the profession of making robots, that is.

Making a movie, under any circumstances, is a highly stressful occupation.

Low-cost gear can make restless people like myself feel marginally happier.

As consumers, we can pressure corporations both to monitor and improve workplace conditions overseas - when inspections reveal violations, these companies should address the gaps immediately.

'Mr. Robot,' in particular, signals the rise of a fresh post-Occupy portrayal of the wealth gap. No longer is the story of income inequity delivered via a well-meaning, crushingly earnest indie film by John Sayles or in a single laugh line on 'Roseanne.'

Mothers suffer in the workplace. That fact is by now so painfully familiar it even has a name: the motherhood penalty.

Parenting makes us better in so many regards.

Approximating authenticity online is not such a tall order. In fact, it may be the very least we can do.

I go to see films at the multiplex because they are not good films, and so I don't have to think about things like death, social oppression, or yes, my fertility, while I watch them.

For the rich and powerful, pregnancy might not be an obstacle - it might even help one's career. But for the rest of us, it remains a hindrance.

Although federal law prohibits companies with 15 or more employees from discriminating against pregnant job seekers, it can be quite hard for an ordinary woman to land a job if she lets prospective bosses know she is pregnant.

In an economy where women now make up half the work force, we're going to have to address the treatment of pregnant employees more systemically. The passage of the Pregnant Workers Fairness Act would better protect against the discrimination pregnant job seekers face.

I'm just a reporter.

My father made me who I am; he was incredibly intellectually generous.

In a lot of ways, I had a wonderful childhood.

The United States is the richest and also the most unequal country in the world.

Having been built in the fashion I was as a child - created and then deflated - has left me with a distinct feeling of failure. Because I did not live up to my precocity, I experience it to be like a cross between a has-been and a never-was.

There are actually very few deeply 'gifted' kids with transcendent cognitive or artistic abilities.