I'm not a religious person by any means. But I certainly believe in some kind of a higher power and something looking out for me. I've definitely had angels that have either guided me or helped me through moments in my life, without a doubt.

Drama can be an addiction. It's so, so sneaky. Jealousy - all of those things can really send you in a lot of different crazy directions.

Good judgement comes from experience. Sometimes, experience comes from bad judgement.

'Pump Up the Volume' was a film and character that I really responded to. That was a movie about a guy trying to take down the establishment using a ham radio. I feel 'Mr. Robot' has a similar value. This show is about taking down a global empire. I was an anarchist then. I'm getting to be an anarchist again.

I am a gypsy, in a way. It's a condition of my profession.

It still amazes me when I look at some of the films I've been a part of, and some of the people I've gotten to meet and work with. I also look back sometimes and realize that I was lucky to have lived through them and even to have survived them, at times.

If I make a move, like raise my eyebrows, some critic says I'm doing Nicholson. What am I supposed to do, cut off my eyebrows?

I thought I'd get over being insecure if I became famous, but it hasn't happened. It just gets worse, really. You get more and more on edge, more nervous. These are all the things I'm dealing with. You think if you get famous, fear will go away and problems will go away. But they don't.

When I did 'Young Guns II,' I hung out with Emilio and Kiefer, and I once took a trip with Rob Lowe - we jumped trains.

Sometimes people come up to me and say, 'You were my teen crush.' I'm honored and I'm touched, but I also ask, 'What happened? Why'd you take the poster down?' I get a little heartbroken in that situation.

The Internet opens up so many doors. It's a phenomenal tool for education but also a way for people to be scary and dangerous. We're living in a world where we can be hacked and exposed.

It's great, getting the scripts and working with somebody like Sam Esmail, who is such a great leader.

I did regret not graduating high school, but I made a point of going back and getting my GED later. It was important for my kids.

An actor equals, sometimes, an entitled baby. People take care of things for me, and they pay greater attention to things than I was ever capable of doing. But in the last few years, I have learned a great deal more about taking care of things. I pay my own bills now.

I have that glass-half-empty syndrome, and it takes a great deal of effort to climb out of the hole of darkness that I choose to live in mentally.

In truth, making films doesn't feel like hard work because I always have such a good time doing it.

If I'm backed into a corner, the first thing that comes to mind is the robot from Forbidden Planet. But that could be me trying to be kitschy, cool, and cultural, because the real answer is R2D2.

I operate better with education and awareness, like I think all of us do. I don't like to be walking around in a vacuum, lost in my own thoughts. I'm much better with information.

I'm trying not to put myself into anything I'm not 100 percent confident about.

After I did Untamed Heart I wanted to do a film that was outrageous. I really wanted to do, you know, a performance. I don't want to allow my image to rule the choices that I make.

Art does imitate life, it has to come from somewhere. To put boundaries and limitations on it doesn't make a lot of sense to me.

As you get older you learn some balance and mediation in your life - that's where I am right now. I feel pretty comfortable about things.

Hopefully, that people could see a progression in my performances because that's how it's always felt to me.

How do I feel about being a star now? Well I still try to live life and enjoy what I am doing.

I can promote until I am blue in the face, but ultimately nobody knows what makes a hit.

I don't think of myself as offbeat and weird. As a kid, I saw myself as the type of guy who would run into a burning building to save the baby.

I had such a good time working with John Woo and John Travolta, and it was so professional. I want to work with people who are real professionals.

I have brought a PS2 on set with me before. But games can be really addicting, and that's dangerous. So I tend to keep it fairly limited on a certain level.

I think games are starting to branch out. It's not just guys sitting at their computer stations. Games are so fun, that everybody gets into them a little bit.

I took a lot of time off after Mobsters and although I did something I had never done before, which was to direct a play, The Laughter Epidemic, it felt like a vacation.

I want to do films I can relate to emotionally.

I was a shy, quiet kid. I was happiest playing by myself with my toys, rather than hanging around people.

I was always such an incredible fan of John Woo, I just wanted to do this film with him.

I'm blown away by the graphical detail of today's games. I can't imagine that it's going to get any better, but it's just going to continually progress and soon we'll be living in that world.

I've been taking my time now between projects looking for stuff that has a little bit more substance, that isn't surface. Some of the films that I've done in the past really were surface.

I've calmed down, certainly, from the days of being 18, but I'm still having a good time.

It's almost like these games are the modern day comic books, especially when you play Alone in the Dark. There's a real story that goes along with it and a movie seemed like the right kind of transition to make.

My mom put me in a Pampers commercial on TV.

The guys from Atari that are making the next Alone in the Dark game came and we had a great meeting. I'd love to do that. I'm a fan of videogames. I like them. And to get to be part of one of them would be a fun and exciting thing.

The movies I've made at a certain time of my life were exactly right for the stage of my life, the frame of mind I was in at the time. Each character I've had to play has been me in that time in my life.

The way I see it, if you're going to make an action movie, you've got to make one with John Woo.

There was a time when I felt I should do everything that was offered to me, you know, ride the wave.

There's something about doing theatre in London - it sinks a little bit deeper into your soul as an actor. It's something about the tradition of theatre, about performing on the West End stage.

This is what Hollywood tends to do. It tends to disregard tradition, history and anything factual, twisting it and turning it and making it all okay regardless of what the English may think of it.

Well, obviously, as soon as I'd finished the script I read a lot of books on Winston Churchill, and started to gain weight and really prepare emotionally, mentally and physically for the role.

I've always been fond of Winona Ryder.

Jail was a result of me not taking time for myself. So I was forced to take some time for myself.

My dad was a theater actor, so I would follow him backstage. And my mom was a casting director. The moment I heard the applause and realized it would get me out of school, I was hooked.

Tony Scott was one of the best directors I've ever worked with, and I was devastated when I heard about his death. He was a great guy with great energy. But this is a difficult business, and people's lives are sometimes difficult.

The '80s was a wild decade, and I had some fantastic times. And I did some really fun work.