You're going to have haters no matter what you do.

I consider myself an authority on drinking beer.

WWE had years to develop and train their staff. WWE makes sure the production team got exactly what Vince McMahon was looking for and how he wanted it.

I drink a lot of beer.

When I created the Cruiserweight division in WCW, nobody called them cruiserweights in the industry at that point. That was a boxing term, not a wrestling term, but I did not want to call them junior heavyweights, light heavyweights, or anything that made them sound diminutive. I wanted it to sound special and cool.

One of the reasons wrestling works is because it allows people to suspend their disbelief. They may know it's not real, but if it's done well enough, they get sucked into it emotionally. And that's why they watch.

Turner Broadcasting went from a very entrepreneurial, risk-taking company where I had a tremendous amount of freedom and autonomy to a corporate, bureaucratic nightmare.

You can't just run through a cookie cutter press and crank out a wrestler that looks like Bill Goldberg.

I never liked D-X since they invaded WCW.

Had Fusient been successful in buying WCW, ultimately there would have been no one on that side of the equation, including me, that would have had the commitment to the business that Vince McMahon has had throughout the years.

I brought Muhammad Ali to North Korea in 1995. I tried that once. It didn't work out quite that well for me as it did for Dennis Rodman, but I brought Muhammad Ali to Pyongyang, North Korea, as part of a big wrestling event called the World Peace Festival. It was a two-day event that drew over 350,000 people.

Booker T, Diamond Dallas Page, myself, and even Bill Goldberg, for crying out loud, main-eventing Wrestlemania. That is WCW's legacy.

Take the main event of WrestleMania and put it in front of 75 people, and it will dramatically affect the way everyone watching feels about it.

Diamond Dallas Page didn't have that larger-than-life persona, but he had a different connection with the audience.

DDP was the common guy, the everyman, a blue-collar guy from New Jersey. He represented something that the average person could believe in, in a way that was a little unique.

I didn't mind when Paul Wight came to me and said WWE offered him $1 million a year for ten years. I was like, 'Dude, you need to take that. You need to go now. Lemme give you a ride to the airport.'

I am pretty transparent how I do things.

I don't regret how I built the Cruiserweight division. Could I have done better? Sure. Absolutely. I'm sure I could have, especially with 20/20 hindsight. I just don't know of anybody that I talk to that looks back at that division and says, 'Oh, man, that sucked.'

Typically, in a live-action format, when you watch a wrestling show, you've got wrestlers in a ring in front of a thousand, five thousand, ten thousand people, and they're playing to large crowd, so you never really get that intimate, close and personal dialogue with them.

There's not as many passive wrestling fans as people would think. There are a lot of fans who just can't get enough, and they're almost more interested in what's going on behind the scenes and the business of wrestling then they are, necessarily, of what's going on inside of the ring.

Social media is an evolving media. It changes every day.

Clearly there's value in Twitter and Facebook; otherwise, none of us would be involved in it.

If you go back in time and look at a map of all of the television markets where wrestling was most popular, historically, the deepest concentrations of those markets were in the northeast.

Let me just say this, Dolce Maria Garcia Rivas: You are not 'sexy,' you are not a 'star,' and you are certainly not a professional wrestler.

I couldn't pass a senior high school math test right now, but I could probably teach intellectual property and trademark law at Harvard.

It was fun and something I could do together with my wife and kids. We were all hand-washing bottles, cleaning and bottling together. It was like families that cook together - we just happened to brew together.

Mr. McMahon the character is a very effective heel.

Eric Bishoff the evil bastard is an effective character.

When I hired the first group of cruiserweights - which consisted of Dean Malenko, Chris Jericho, and Eddie Guerrero - I sat them down in my office, and I was very clear to them. I said to them, almost verbatim, 'You need to be my human car crashes at 9 P.M.'

The WWE also embraced more of a reality-based approach to wrestling a year or two after I established it. I knew, deep down inside, were it came from. The WWE did it better than I did, and they're still here, and I'm not, but nonetheless - I knew where it came from.

We formatted our shows so that, at nine o'clock, we were in the heat of hard-hitting, fast-paced cruiserweight action, and it was so different from the WWE that it worked.

I've probably done 1,000 interviews about the 'Monday Night Wars' and how 'Nitro' was made.

Anybody who comes along and wants to sell a wrestling show, guess who you are not gonna sell it to? You are not going to sell it to FOX and any of its affiliates, and,oh, by the way, you are not going to sell it to NBC Universal or any of its affiliates.

You no longer have to have a big record label behind you and have to kowtow to the politics that enabled you to get there. You can be a phenomenal artist and put your stuff out there on YouTube and find yourself becoming a star.

There are very few voices that can speak with any kind of authority or credibility on what happened back during the time when WCW and WWF were going head to head, and I think the audience is interested in that period of time, clearly. And like I said, nobody could speak to it quite the way I could.

AOL-Time Warner didn't want a WCW property on their platforms - being TNT or TBS or anything else - in any way, shape, or form, and that was the death nail.

A character like mine, there is only so much you can do from a storyline perspective. You can be that heel authority figure, which I was for a few years in WWE and WCW, and it's interesting, and it's fun, but after a while, you've kind of done everything you can do creatively.

When I came out for the 25th anniversary of Raw, I got a great reaction, and it made me feel very good, but as amazing a moment as that was, I know, after two months, fans would want to move on.

I'd like to manage someone, a young talent that maybe doesn't have the mic skills.

You could cure every disease known to man, and still, someone's going to hate you.

To many generations of fans, Hulk Hogan really represents the beginning of what became this amazing industry that we have.

Professional wrestling, the WWE, and being in the Hall of Fame represent such a large part of Hulk's life, as does his connection to the audience.

I'm not the type of person that lives in the past, quite honestly.

I don't reflect back too much on moments in my career.

The television business, by virtue of what's happened to streaming, it's really turned the traditional television business upside down.

Sports entertainment in general, it's a very competitive business.

Florida was a hotbed of professional wrestling, one of the hottest in the country.

When WCW first really began to enjoy the success that we enjoyed, it was because of the story lines that we were putting out in front of people.

This isn't a competitive sport. Wrestling is not the NFL or the NHL. It's not really sports. It's entertainment. And in order to be entertaining, you have to create emotion. And you can't create emotion by simply having a wrestling match.

I think most people, most rational people, most people that I would feel comfortable sitting in a room with, understand that wrestling is scripted entertainment. But they don't want you to remind them of that.