Even when 'Kaakha Kaakha' was released, there were people who gave it an average rating and said they couldn't figure out what was happening. Three days after its release, the producer called me and asked me to remove all of Jothika's scenes from the film. I told him; in that case, you can also remove my name from the director's slot.

If I know somebody's right about something I take it from them.

I do a film because at that particular moment, I want to make a film. It is my attempt at moving away from the ordinary.

I'm okay with suggestions but I want to do what I believe in, because I'm inspired by an idea.

I try to be a friend to my boys just the way my dad was with me. Subconsciously that reflects in my writing.

There are people who've told me cinema is a visual medium and you don't need to say so much. When I write the script, all these lines of what the characters are thinking are written. Once the film is shot and the lines are dubbed, I tone it down in postproduction if I feel it gets heavy.

I sneaked out of school to watch 'Nayakan.' I must have watched it at least 15 times at Anand theatre.

No matter how liberal or modern a family is, there will always be resistance when someone discloses that they are dating someone.

When I was approached to remake 'Vinnaithandi Varuvaaya,' I felt that it was a good way to reach out to a wider audience, every director wants that.

I know how irritating it is when a producer puts his hand in everything.

Though I have an idea about the climax, it always changes when we start shooting.

I am not a singer.

It is difficult, but I definitely do want to make a film in Malayalam at some point of my life.

Whatever the script demands, I do.

Back in the day, I was keen on working on a film with the superstars - Mammootty and Mohanlal. But they wanted me to make a film with them in Tamil.

I am a romantic at heart.

Minnale' was so earthy.

For a film like Vettaiyaadu Vilayaadu, I was particular that nothing should be revealed prior to release.

YVM' is a feel-good romance.

With Nani, what struck me was his confidence. It has been a revelation. Nani, the most confident actor and it is a pleasure to work with him. Will do a film with him anytime given a chance.

The Tamil audience is more receptive to unusual endings.

Nadunisi Naaigal' is new age Tamil cinema. I have tried to break the rules of regular cinema with this film.

I understand the angst of a filmmaker.