I'm a dirt road out in the country kind of person, but I remember thinking, I could live in Chicago.

I don't think I could ever give up music. It's what makes me tick. If there was no music, there would be no writing.

In a culture defined by shades of gray, I think the absolute black and white choices in dark young adult novels are incredibly satisfying for readers.

I think that whenever a book is not a challenge, I'm telling the wrong story.

I think they're here because I thought they ought to be here," Gansey said. Blue replied sarcastically. "Okay, God.

I think every now and then about Sean’s thumb pressed against my wrist and daydream about him touching me again. But mostly I think about the way he looks at me – with respect – and I think that’s probably worth more than anything.

I thought I heard---" Gansey broke off. His eyes dropped to where Adam held Blue's hand. Again his face was somewhat puzzled by the fact of their hand-holding. Adam's grip tightened, although she didn't think he meant for it to.

Don't take this the wrong way," Blue replied. Her cheeks felt a little warm, but she was well into this conversation and she couldn't back down now. "Because I know you're going to think I feel bad about it, and I don't." "All right." "Because I'm not pretty. Not in the way Aglionby boys seem to lie." "I go to Aglionby," Adam said. Adam did not seem to go to Aglinoby like other boys went to Aglionby. "I think you're pretty," he said.

I try to think of something catchy to say, but there's nothing but irritation that something that was funny yo an eleven-year-old boy is still funny to a seventeen-year-old one.

I was thinking lots of things, but most of them needed to stay thoughts, not words.

That's a poor match, Sean Kendrick," says a voice at my elbow. It's the other sister from Fathom & Sons, and she follows my gaze to Puck. "Neither of you are a housewife." I don't look away from Puck. "I think you assume too much, Dory Maud." "You leave nothing to assumption," Dory Maud says. "You swallow her with your eyes. I'm surprised there's any of her left for the rest of us to see.

I think that’s a mercy of this island, actually, that it won’t give us our terrible memories for long, but let us keep the good ones for as long as we want them.

There is a little narrowing to his eyes at the end of it that makes me understand that this is a test. Whether or not I'm brave enough to go into the stall with Corr after yesterday morning, after I've had time to think about what happened. The thought of it makes my pulse trip. The question is not if I trust Corr. The question is if I trust Sean.

Do you think I just turn my secrets out for everyone?" He is unfazed. "I didn't know they were secrets," he says. "Or I wouldn't have asked.

It's okay," Puck says. She has a quick way of hiding her disappointment. If you're not looking for it, she's put it away somewhere before you know it was there. "You're busy." "No," I tell her. "No, I'll think about it. I'm not sure if I can get away." I don't know wheat I'm thinking. I cannot find the time to get away. I'm not a good dinner companion. But it's hard to think of that. Instead I'm wishing that I'd spoken sooner, before I'd seen her disappointment.

It's a lovely answer and takes me entirely by surprise. I hadn't realized we were having a serious conversation, or I think I would've given a better reply when he asked me.

The tourists always seem to want something. On Thisby, it's less about wanting, and more about being." I wonder after I say it if he'll think I sound like have no drive or ambition.

I don't think I'd like to argue with you," I say. "I think it would be a very dissatisfying pastime.

I'd always liked jogging because it was a place to think.

I couldn't think of anything to say. I was idiotically entranced by the way he said "Grace." The tone of it. The way his lips formed the vowels. The timbre of his voice stuck in my head like music.

I'm trying to make you think I'm a decent person. Telling you I saw you naked while I was another species does not help my case

I didn't think I belonged here in her world, a boy stuck between two lives, dragging the dangers of the wolves with me, but when she said my name, waiting for me to follow, I knew I'd do anything to stay with her.

This is sams phone" there was a long,heavy pause, and then: "oh." Another pause. "Youre the girl, arent you? The girl who was in my house?" I tried to think of what i might gain by denying it and drew a blank "yes" do you have a name?" do you?" he gave a short laugh that was completely without humor but not unpleasent. "I think i might like you. Im Beck.

Sam:"Okay, what words would you use then?" I leaned back in the seat, thinking, as Sam looked at me doubtfully. He was right to look doubtful. My head didn't work with words very well- at least not in this abstract, descriptive sort of way. Grace:"Sensitive" I tried. Sam translated: "Squishy" Grace:"Creative" Sam:"Dangerously emo" Grace:"Thoughtful" Sam:"Feng shui." I laughed so hard I snorted. Grace:"How did you get feng shui out of thoughtful?" Sam:"You know, because in feng shui, you arrange funiture and plants and stuff in thoughtful ways.

He'd only been gone two seconds, but the room got brighter when they were together, as if they were two elements that became brilliant in proximity. At Sam's clumsy efforts to carry the vacuum, Grace smiled a new smile that I thought only he ever got, and he shot her a withering look full of the sort of subtext you could only get from a lot of conversations whispered after dark. It made me think of Isabel, back at her house. We didn't have what Sam and Grace had. We weren't even close to having it. I didn't think what we had could get to this, even if you gave it a thousand years.

It's like thinking you're going to heaven, but when you get there it turns out to be Cleveland.

What were you thinking about? When I came in?" "Being Sam," I said. "What a nice thing to be," Grace said. And then she smiled, bigger and bigger, until I felt my expression mirror hers, our noses touching.

Look, I realize both of you could happily strangle each other across the table, but I don't think that's the most effective use of our time, and frankly, I don't think I have enough money to tip the waitress for that kind of clean-up. And look, here's lunch. Let's eat that instead of eachother.

I don't think I ever believed in love, not really. Just though it was something James Bond made up, a long time ago, to get laid.

It's all you think about, all you talk about, and all you want us to talk about. What in the world would we call something like that? Oh, yeah! An obsession!

Right, sure. Because there's no girls in politics! I have no interest. Voting? What? I forgot my apron. I think I ought to be in the kitchen right now, actually. My rolling pin-

The only thing is, the more I see him and Corr together, the more I think of how unbearable it would be for Sean to lose him. But we can't both win.

Something tells me my spit wouldn't mean as much to Corr as yours would." There's a long Pause before Sean speaks. He says, "Maybe not yet." Yet! I don't think I've ever heard such a fine word before.

I think-I need to ask an embarrassing question. Do you think I could borrow a pair of scrubs? I-uh-my pants-" "Oh!" Cried the poor nurse. "Yes. Absolutely. I'll be right back." [...] "Thanks," I mumbled. "I'll just change here. He's not looking at anything at the moment." I gestured toward Sam, who was looking convincingly sedated. The nurse vanished through the curtains. Sam eye's flashed open again, distinctly amused. He whispered, "Did you just tell that man you went potty on yourself?" "You.Shut.UP." I hissed back furiously.

I do all of my good thinking at over 65 miles per hour. The speed limit is, luckily, the same speed as my brainstorming speed.

He was not as soft as when I'd first met him, not as young, but the angles of his face, his quick gestures, the way he sucked in his lower lip to think before going on - I was in love with all of it.

Self-confidence is not the same thing as ego. This is not to say that the two don’t (frequently) dance hand in hand down the street, pushing over old ladies in crosswalks and kicking baby kittens. But they are definitely not the same entity. Ego is thinking you have all the answers. Self-confidence is knowing you don’t have the answers, but being pretty sure that you will be able to find them.

I remember [in teenage years] thinking there were a lot of check boxes out there to sort teens into appropriate molds, and they didn't seem to make check boxes for whatever it was that I had grown up into. I definitely explore that a lot in my novels.

There are moments that you'll remember for the rest of your life and there are moments that you think you'll remember for the rest of your life, and it's not often they turn out to be the same moment.

[I]t just makes me tired even thinking about it. It reminds me of that feeling I had before I left. Like my lungs were made of lead. Like I can't even think about starting to care about anything. Like I either wish that they were all dead, or I was, because I can't stand the pull of all that history between us. That's before I even pick up the phone. I'm so tired I never want to wake up again. But I've figured out now that it was never them that made me feel that way. It was just me, all along.

As teenagers, we all see ourselves as outsiders... and it's very easy to look at other people who are more popular, who have more pocket money, and it makes you feel even more like an outsider, and it does shape who you become as a person.

I love inventing interesting people and then pushing them to their absolute limits - and usually those absolute limits involve homicidal faeries, werewolves, or some other paranormal menace.

I would like to say that I was inspired to write 'Shiver' by some overwhelming belief in true love, but here's my true confession: I wrote 'Shiver' because I like to make people cry.

She wasn't interested in telling other people's futures. She was interested in going out and finding her own.

He strode over to the ruined church. This, Blue had discovered, was how Gansey got places - striding. Walking was for ordinary people.

Gansey had once told Adam that he was afraid most people didn't know how to handle Ronan. What he meant by this was that he was worried that one day someone would fall on Ronan and cut themselves.

There are too many people on horseback today trying to prove themselves, trying to prepare, trying to get faster. They haven't discovered yet that it's not the fastest who make it to race day. You only have to be the fastest of those who are left.

He was jingling his keys in the pocket of his coat -- one of those barn coats described as rugged and classic and four hundred dollar that were usually worn by people who spend more time in Land Rovers than barns.

You really didn't see the sadness or the longing unless you already knew it was there. But that was the trick, wasn't it? Everyone had their disappointment and their baggage; only, some people carried it in their inside pockets and not on their backs.

In his head, his mother said, 'People shout when they don’t have the vocabulary to whisper'.