QUOTES by Grace Chatto
Find most favourite and famour Authors from A.A Milne to Zoe Kravitz.
I think since our style is different, while jamming we want to let it flow without having any preconceived notions of each other's style. That is the fun of collaboration, I guess.
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To work with different singers gives us creative freedom because we can experiment with different sounds on every song.
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I think I like attention, but because of the way we are - because we don't have a lead singer and all the videos have so many different people in them - I think people aren't really that sure about who's in the band.
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We'd love to collaborate with Sam Smith. I've told him. Many times. We've got loads of songs we've written that we can literally just hear his voice on.
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Working in Italy can be quite hard because they don't have schedules - we arrive at TV shows and they're like, 'We're not sure when you're on, could be a minute, could be an hour.' We were on their equivalent of 'The Voice' and the timing was determined by whenever the judge decided the time was right. We waited five hours!
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I tried to join the RAF cadets at school so I could fly a plane but then I realised you had to do all the other cadet stuff like training before they let you in a plane. Then you're roped in for life.
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I find the production in 'A&E' very beautiful, it reminds me of Ace Of Base, the way the bass has that space and the reggae.
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We wanted to be like Radiohead. When they started experimenting with electronic music, it gave us the idea that it might be a cool idea to do.
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I don't know a lot of Kasabian's music. I am into rock music but I don't know their stuff.
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It's so different in the different states, it is sometimes like being in a different country.
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Drake, the way he uses that Auto-Tune has always been attractive, hasn't it?
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We find it very interesting to call upon different voices as though they were different instruments.
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We don't really think about it in a formulaic way, we just use the different styles as and when it feels right.
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I think fame is really dangerous and... I don't really like to get too involved in it all.
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For me, I'm not that interested in reading newspapers, for example, so the Labour Live event is a really good way for me to engage in party politics and hear speeches and have discussions.
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Jeremy Corbyn became the leader of the Labour party, and suddenly there was a reason to get involved.
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We have a lot of people onstage. We have a live violin, live cello, live drums played on this kind of massive electronic kit with some acoustic elements built in.
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I never identified as a woman too much, because women aren't too different from men. But with all the #MeToo and Time's Up stuff, I thought about it differently.
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The Tories will do everything they can to squash anything threatening to them and I think the involvement of young people in politics is threatening to them and we just don't really care.
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Glasgow with its art and music scene has so much going on, it's attractive to people and there seems to be a good vibe up there.
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I've spent some time in Edinburgh before. I used to go up there to busk and actually went to the Fringe a few times as a teenager with my cello.
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If it's a Clean Bandit-related stress, there are smooth things they play on Classical FM that can help, such as Barber's 'Adagio for Strings,' or there is a choral version of it too that is very relaxing.
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Me wanting to play in Israel is not me making a statement about what's going on there.
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This is such a perfect kind of career for me because I love making videos and being in the studio and being on tour.
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This way of working on individual songs in isolation from other songs is actually how we've always kind of done it.
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I do wish we recorded the early stuff we did, because we basically had an album.
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