I don't any longer make any quality judgement between theater and cinema. They are different experiences for the audience, and they also are for the actors - although they have a lot in common.

Gandalf saves the world and saves the soul of the world, really.

I increasingly see organized religion as actually my enemy. They treat me as their enemy. Not all Christians, of course. Not all Jews, not all Muslims.

Doing some of the 'Lord Of The Rings' press junkets got a bit claustrophobic.

I quite like it when I'm on the Tube and people offer me their seat. Sometimes I take it. The other day I was offered a seat by a pregnant lady. I thought, 'That's going a bit far.'

When you were on stage, you could be absolutely open about your emotions and indulge them and express yourself in a way that - in real life - I wasn't doing.

I love musicals; I love the ballet, opera, the circus. It's all performance to me.

I used to think 'King Lear' was an analysis of insanity, but I don't really think it is. When Lear is supposed to be at his most insane, he is actually understanding the world for the first time.

I owe a great deal to Harold Hobson, doyen drama critic of the 'U.K. Sunday Times,' who championed me as Shakespeare's Richard II at the 1969 Edinburgh Festival.

How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.

No actor wants to play to an empty house.

If you've been in a film that's seen by millions and millions and millions of people, you're more likely to be recognized for that than for your theater performances, which were seen by considerably less people. Why would I get upset by that?

I can't take on all the worries of the world, you know. I can only talk about being gay and being an actor. I'll have to leave those other battles to somebody else.

I have lots of fans, they are mostly under the age of 12, boys and girls.

You won't hear me talk about my politics, you won't hear me talk about my vegetarianism, you won't hear me comment on the Iraq war. You'll only hear me talk about being gay and being an actor. I am just public on those two issues.

I don't make much distinction between being a stand-up comic and acting Shakespeare - in fact, unless you're a good comedian, you're never going to be able to play Hamlet properly.

Very, very rare that you do a job knowing that the audience is desperate for you to do that job. Most films you make don't get released, is the fact.

If I say often enough that I'm going to be in 'King Kong,' I'm hoping that Peter Jackson will take the hint.

Shakespeare's villains are fabulous because none of them know that they are villains. Well, sometimes they do.

I had never come across the 'X-Men' comics till I was asked to play Magneto, so I just jumped into that job.

There are some tremendous actors in the U.K. who have been knighted, and I've spent much of my life admiring many of them, like Laurence Olivier. So it's very flattering to be in their company. But you also end up in the company of people you don't admire, including some rather dodgy politicians.

There's no sex in Middle Earth.

There are deaths in public places on the grounds that the victim is gay.

If you get criticized, good - I don't think people get criticized enough. People talk behind your back and they criticize you, but they don't often come up and say it to you.

You put anyone in the outfit, and they look like Gandalf. Not that clever.

Imagine trying to be a gay actor, a gay anything in modern Russia? Where to be positively oneself, to be affectionate in public with someone you love of the same gender, or to talk of that love in the hearing of anyone under 18, will put you prison?

My ambition is to get better as an actor.

I'd never read 'Lord of the Rings' until I was asked to play Gandalf, so I didn't really know it was a frightfully famous book.

I'm not being offered a constant stream of wonderful parts with wonderful directors that would keep me away from the theatre. When they turn up, I do them.

It's an interesting but useless bit of information that every single character in 'The Lord of the Rings' and 'The Hobbit' wears a wig, and many of them wears a prosthetic - false ears, feet, hands. In my case, nose.

'The Lego Movie?' I've never heard of it.

There have been many gay knights in the past - like Sir Noel Coward or Sir John Gielgud.

The huge difference in my lifetime is that you can just go up to somebody and make a pass. You couldn't do that in the 1950s if you were gay. There were secret handshakes, a secret language. There was nowhere you could go to be romantic outside of people's houses.

There are not many things in my life I can be absolutely proud of or certain I got right, but one of them is that I've got better as an actor. I've learnt how to do it. And I still have enough energy to do it.

I think I've become more modest as the years have gone on.

If you've got Mystique as your girlfriend the fun you could have in bed - I've just imagined X-Men 3 might open with me in bed with Patrick Stewart.

It's only fair that stable gay relationships of long standing should have the same rights and responsibilities as married couples. I know the image of gay marriage is to some people horrific and ludicrous.

The thing you notice here after America is how refreshingly ordinary people look because they haven't had their chin wrapped around the back of their ears.

I think the point to be understood is that we're all different. I've never been a fan of theories of acting. I didn't go to drama school, so I was never put through a training that was limited by someone saying, 'This is the way you should act.'

I was brought up in industrial south Lancashire, down the cobbled road from where LS Lowry (1887 - 1976) lived and painted.

So it's joyful to me, in my 71st year, to be able to be in a play that is absolutely right for my age and my experience, and that is a popular success. What more could you ask as an actor?

The most likely explanation is the most practical. 'Macbeth' is a very popular play with audiences. If you want to sell out a theater, just mount a production of 'Macbeth'. It's a short play, it's an exciting play, it's easy to understand, and it attracts great acting.

I have little routines in the theater. Once I've established something, like the order of putting on makeup and a costume, I have to invariably do it in the same order every time, even if I only did it by chance the first time round.

When you grumble about a taxi being dirty, people your own age will absolutely agree with you, whereas younger people say, 'You should be so lucky to have a taxi - I walk to work!' So I have lots of young friends, who fortunately don't treat me as a guru, a person that knows all the answers.

We're very lucky, men, that there are these fabulous parts. Women - once you've done all the parts in Shakespeare, they start running out. So you can pick and choose and find something to energise you.

I'm only an actor. I'm not a writer. I'm not going to leave any legacy. All I've ever done is learn the lines and say them.

Theatre is relatively easy if you're British - you're living in the theatre capital of the world, London - there are so many places you can work, still. If I had begun to think of myself as a film actor, I think I would have got distracted.

I'm fortunate to be famous for two rather imposing characters like Magneto and Gandalf.

I'm not quite as cool as I would like to be, really.

I think New York audiences are some of the brightest in the world, and certainly the most enthusiastic.