In a democracy, people tend to get the kind of government they deserve.

Hospitality is central to the restaurant business, yet it's a hard idea to define precisely. Mostly, it involves being nice to people and making them feel welcome. You notice it when it's there, and you particularly notice it when it isn't. A single significant lapse in this area can be your dominant impression of an entire meal.

Celebrity farmer. Now there's a phrase that should be an oxymoron. There are farmers on both sides of my family, and I can attest that the overlap between the way farmers live, work and think, and celebrity culture, is exactly 0%.

People misunderstand what a police state is. It isn't a country where the police strut around in jackboots; it's a country where the police can do anything they like. Similarly, a security state is one in which the security establishment can do anything it likes.

It doesn't thrill me to bits that the state has to use the tools of electronic surveillance to keep us safe, but it seems clear to me that it does, and that our right to privacy needs to be qualified, just as our other rights are qualified, in the interest of general security and the common good.

Often, in horror films, the single most effective device for building a sense of scariness is the soundtrack: the clanking of chains, the groaning of off-stage ghouls, the unmistakable sound of a cannibal rustic firing up a chainsaw.

To make three films out of one shortish book, they have to turn it into an epic, just as 'Lord of the Rings' is an epic. But 'The Hobbit' isn't an epic: its tone is intimate and personal, and although it's full of adventures and excitement, they're on a different scale to those of the bigger book.

In the world where people with money overlap with restaurants and try to work out how to make more money, one of the things they talk about is the desire to find 'the new pizza.' This means a new mass-market product that can be made quickly and eaten both on the premises and as a takeaway.

There is a moral underpinning to economics. And the kinds of questions that it asks and the kinds of solutions it proposes do seem to me to belong in a more humanistic framework.

I grew up in Hong Kong, and London used to seem very gray: the sky was gray, the buildings were gray, the food was incredibly gray - the food had, like, new kinds of grayness specially invented for it.

I don't think quantitative easing is deliberately misleading, but I do think it's suspiciously bland and reassuring. It doesn't sound like anything big, experimental, scary and strange - which is what many economists think it is.

Most British tapas bars aren't bars at all. They're restaurants that specialise in tapas. Nothing wrong with that, but it's a bit different from the Spanish way of doing things, in which tapas is an adjunct to the drinks and the general vibe.

Germany has to put the broader European interest on the same level as its own national interest, or the euro is toast.

I grew up mainly in the Far East, where my father worked for the Hong Kong and Shanghai Bank, which was then a small, well-run colonial institution and not the global colossus it is today.

In sport, the money goes to the talent; it goes directly to the worker - unlike a bank, which sits in the middle of transactions and whose income bears no relation to any of the services it provides.

It would be too glib, not a hundred per cent true, to say that my father's career as a banker was what made me a writer. But it would be slightly true, and it was certainly the case that his work as a banker made me see that the trade-offs people make between their work and their lives are often badly skewed.

You can't explain collateralized debt obligation in a novel - it's too draggy.

The slogans of globalisation are 'Get on your bike' and 'The world is flat.' People who want to get on have to be willing to move, often and unhesitatingly, at the behest of their employer or to seek work.

I think smartphones are one of humanity's most remarkable creations: computers are amazing enough, but a supercomputer you can carry in your pocket and communicate instantly with anyone, anywhere... it's no wonder they're troublingly addictive.

I'd like to pretend to be all Olympian and above it, as if this is a phenomenon I'm observing from a great height, nothing to do with my own behavior at all - but the fact is I'm absolutely one of those people in the cafe staring at my phone.

I have a horror of going down dead ends, which you can easily do with a novel, spending months on it and then realising that it's all wrong. It's demoralising, because you don't get the time back.

'The Big Short' is, among other things, a blistering, detailed indictment of the way Wall Street does business, and its particular villains are the investment banks.

I think the Internet was invented specifically to stop people finishing their books. And it does quite a good job. I don't have blocking software, though I could easily imagine needing it. I just don't do that stuff until I've got the words done for the day.

The Internet makes writing about restaurants easier and more interesting in quite a few ways, one of the main ones being to do with the mundane business of checking what's on the menu.

One of the main reasons that the landscape of financial stuff in America is different is that gambling is illegal there. So there's a kind of sport-like aspect to the American coverage of finance.

Fires and floods, we're hardwired to accept them or at least file them under Bad Things Happening. But there's something so abstract and so modern about a bank making a technical mistake about how it funded its obligations to depositors, and suddenly you're out of work.

I rather envy writers who do variations on a theme. I like reading those books, but in practice, I can't do it.

Nobody in the developing world is going to take, as an answer to their aspirations, the developed world's reply: 'Sorry, you can't; we've already used it all up.' To earn the right to look the developing world in the eye and start this conversation, we need a reassessment of how we live and what we want.

I have sane friends, solvent friends, foodie friends, and friends who can take time off in the week, but I don't know one single person who ticks all those boxes.

The Chinese are much too sensible to like turkey - come to think of it, I don't think I've ever encountered turkey anywhere in East Asia, either in a market or on a menu.

Inequality in the developed world fell for most of the 20th century; we can make it fall for most of the 21st century, too. But it won't happen without sustained pressure on politicians from electorates.

In my view, a review should be like talking to a friend who's just asked you, 'What was it like?' You're giving a verdict on an experience, not trying for a definitive last judgment.

It seems to me obviously axiomatic that markets are not magical, that they're organised in a range of regulated entities created by men. We decide in what we will have markets, and we decide how the rules work and how they'll conduct themselves.

In the U.S., it is a crime to lie to a federal agent, and it's often this that sends people to jail over financial matters.

Chefs get sucked into the trap of 'fine dining' because some guides make it central to their ratings system and because some customers have been trained to focus their expectations on the trappings and not on the food. It's all a gigantic waste of energy.

Why should the idea of Western liberal democracy automatically imply unregulated free-market capitalism?

'Fine dining.' I'd love to know who coined the term and whether they meant it to be as offputting as it is. The words evoke an idea of phoney refinement, of needless flummery, snooty waiters, and an atmosphere designed to intimidate the customer.

Rising inequality is not a law of nature - it's not even a law of economics. It is a consequence of political and economic arrangements, and those arrangements can be changed.

A novel usually begins, in my experience, with a thought or image that won't leave me alone.

I think 'community,' in the sense in which politicians use, it is largely a cant term.

Our societies have achieved a general level of prosperity of which most of all the human beings who have ever lived could only dream. Now we need to show that we can stop continually wanting more - more money, more stuff. We must show that it is possible for people to realise that they have enough.

Cheap money feels like the most natural thing in the world - if you don't think about why it's so cheap.

My mum had this amazing ability to deflect things, and from an early age, I knew what I was not supposed to talk about.

The first ATM in Hong Kong was actually at the foot of the bank. I remember my father using it. And I find it absolutely terrifying that - something about the way the machine just kind of coughed up money with no difficulty.

Nando's is a casual restaurant rather than a fast-food one - another aspirational touch. The food is energetically spiced, where so many of its competitors are bland and grilled to order, where the competition fries food and then lets it sit around.

Photography brought a lot to painting because it forced artists to think about what painting could do that photography couldn't.

The early-'80s recession was good for good restaurants, not least because it put bad ones out of business.

I write non-fiction quicker, and I write it on a computer. Fiction I write longhand, and that helps make it clear that it comes from a slightly different part of the brain, I think.

I'm fortunate in having journalism as a sideline to pay the bills, and I essentially do it in order to take as long as I want with books.

I'm a huge fan of Peter Jackson's 'Lord of the Rings' movies - I went to all three of them on the day they opened and have seen all of them several times since.