When you live in hysteria, people start thinking emotionally.

There are a lot of actors who try to get records made and try to make record deals, and everybody goes, 'Ugh.' It used to be expected in the entertainment business. I mean look at Sinatra, Bing Crosby. All these guys started out as singers.

I don't want to be a politician. I don't like politics. It's petty; it fights dirty.

A lot of the time, I write in the third person, but I'm mostly describing my own ordeals. When those unsettled struggles prey on your mind, you become haunted. To get free, you must defeat your ghosts.

Take 'Jack and Diane.' I was so disgusted with people thinking the line 'Hold on to sixteen as long as you can' meant to stay a teenager forever. What I meant was keep doing whatever makes you feel alive.

If I laugh a couple of times a day, I'm doing good. People think it's their God-given right to be happy, and it's just not. It's something you've got to work at. I like to paint the human condition, and the human condition is not smiles and happy people.

You cannot expect the guy who drove the car into the ditch to navigate it out of the ditch. You have to put a new driver in the seat. I'm not saying the new driver is going to be any better, but we need a new driver. Kerry is the only choice.

I used to think that eating healthy was ordering a fish sandwich at McDonalds.

Hanging out is a waste of time. The only time I would hang out was when I was a kid, I would hang out in the streets. But once I started making records, I stopped hanging out.

The CD, it should be noted, was born out of greed. It was devised to prop up record sales on the expectation of people replenishing their record collections with CDs of albums they had already purchased.

'Crumbling' Down' is a very political song that I wrote with my childhood friend George Green. Reagan was president - he was deregulating everything, and the walls were crumbling down on the poor.

I need a long and lingering death to make sure that I have time to have a deathbed conversion.

My grandmother made sure that I went to church every Sunday. And she'd come over and pick us boys up, and we would go to the Nazarene church. And back then, that was about as close to heaven as I ever got, because just the time to be able to spend with her, and she was very, very religious.

For me to pretend I'm the keeper of the small town mentality or that's all I'm interested in is wrong.

Oh, I think country has changed tremendously. I think country has totally changed. Country music when I was a kid was Hank Williams. If you put Hank and Elvis together, there wasn't that musical difference. But as the Beatles showed up and the English invasion, I think country music got pretty far away from rock n' roll.

Unemployment is sky-rocketing; deflation is in our future for the first time since the Great Depression. I don't care whose fault it is, it's the truth.

I wish my grandmother and grandfather were still alive, because they were able to keep me grounded.

Bob Dylan's first couple of records in the 60's weren't considered cover records, but he only wrote one or two original songs on each album.

I wanted to study at the Art Students League in New York when I was young, but I didn't have the money. Then I was fortunate enough to become Johnny Cougar Mellencamp. At the time, I thought I'd make a couple of records and get back to painting. It never dawned on me that I'd be 64 years old and still making music.

If you hide information from people, don't want people to see the Ten Commandments or don't want people to hear about Darwin, aren't we hiding things that we know from our future generations? I just think that that's incorrect.

I don't have to worry about any pop sensibility. I can write adult songs, and I don't have to worry about choruses and hook lines.

'Jack & Diane' was originally about race. I was playing nightclubs, and I was seeing new American couples, mixed-race couples. I thought it was cool. The song was my effort to make a song about that, but of course the record-company guy didn't like it.

A lot of record company people, even though they're our age, want to be perceived as young hip guys, and they're hurting the business.

My task with 'Uh-Huh' was to make a more even record and get away from juvenile topics like 'Hurts So Good.' But I also knew if I wanted to continue, I had to have more hits.

I've seen beautiful art on the sides of buildings. I've seen beautiful art in museums. I've seen beautiful art in galleries. Beautiful art is everywhere.

Sound quality was supposed to be one of the big selling points for CDs but, as we know, it wasn't very good at all. It was just another con, a get-rich-quick scheme, a monumental hoax perpetrated on the music consuming public.

When did Jimmy Stewart not play Jimmy Stewart? When did John Wayne not play John Wayne? But that's what we like about them. When you talk about acting, you really have to respond to somebody's personality.

Do I think it's OK to fight authority as long as you're only talking about the high school teacher? No.

Natalie from the Dixie Chicks could have said what she said before 9-11 and no one would have cared.

Radio was my friend after 'Jack & Diane' and 'Hurts So Good.'

This cycle of make a record, tour has been going on for 20 years now. I don't even know why I do it sometimes. Do I need more money? Do I need more platinum and gold records? The only thing I can think of is ego.

Wait a minute, guys, I have always been on your side. I have always spoken for you, always tried to put on a good face for the state of Indiana. All of a sudden, some of you people think I'm a bad guy?

I would never say John Kerry would be a great president. I will say that George Bush has divided us; he has filled this country with hatred.

I was born with Spina bifida. That's where you have a hole in your spine, and your nerve endings come out.

I've just been fortunate to havehad a lot of hit records, though Human Wheels doesn't qualify as a hit record-but it's really the best single I've ever had.

As I get older, I have a different look on life. I just try to be a little more tolerant and a little bit more centered about what's going on around me and not so emotional.

Music was so important to the culture when I was growing up in the Sixties and Seventies. We just expected that Bob Dylan was going to make a great record, and it was normal. It was like, 'Okay, here's another great record by Bob Dylan; here's another great record by Led Zeppelin.'

I have to say when a man lives for himself, it's hard to live with him. That's pretty much the story of all my divorces. I've been making records since I was 22 and done things my way, and it's hard for me to compromise. And of course, to have a successful relationship, one has to compromise. Sometimes I'm not good at it.

I think Roosevelt had four terms, didn't he? I think we should go back to that, and we should go back to four years for a senator, four years for a congressman, and I think we'd see a huge change in our society.

I want my paintings to look like they were found in a garage. If they get a scratch or a hole in them, it just becomes part of the painting.

What is there to be afraid of? The worst thing that can happen is you fail. So what? I failed at a lot of things. My first record was horrible.

A painting has to be beautiful. Even in its grotesqueness.

When I wrote 'Pink Houses,' nobody was talking about that, right? The next thing I know, you can't see the TV without hearing commercials with 'Listen to the heartbeat of America,' or 'Born the American way.' That whole America thing now - I hate it.

One quality of a good songwriter is to be vague. A vague notion, a vague image, but enough to give the listener the opportunity to make more out of what's being said than is there. That's the great thing about Bob Dylan's songs: We the listeners have made more out of them than he ever intended.

I think it's ridiculous to try to sell records to teenagers, because teenagers don't buy my records. And there ain't that many teenagers out there in the marketplace.

Life should never be viewed from the vantage point of achievements. It is total folly.

I ended up writing songs and growing up in public with my songwriting. And it's a good thing for me back then: in the early '70s, there was a thing called artist development, where an artist could find his feet, find himself, find his voice. I think I made five or six albums before I sold five or six albums.

If I'm painting, I paint every day. I'll be up in the studio from 8:00 in the morning to 8:00 at night.

My thought was I should try to stick with names that people may recognize like Robert Johnson, Son House, and Hoagy Carmichael, so if somebody cared to research, they would find a wealth of material.

Broadway is a very different kind of place. It's kind of like Nashville in that there's a certain amount of people that are involved, and those people are what run it.