If an original piece of wardrobe came up from Star Wars, I'd probably spend a lot of money on it.

I'm getting positive feedback for my acting so we'll see if any other interesting parts come up.

I also want to return to doing stand-up. I've become frightened of live audiences. This is a really telling sign that I need to go back on the comedy circuit again.

For the greater good, I thought I should be a spiritual leader for people for some reason.

I've spent lots of time in London, I studied in London, I like London. It's just not my home.

Health-wise, I couldn't have said what my life expectancy would've been if I'd just carried on doing solid blocks of stand-up.

I think it sort of dawns on you that if you're not gigging constantly you're not actually relevant. You may be relevant to a different part of the media now, to television commissioners and editors, but to a young live-comedy audience you're not, really.

You don't want to be flattered and become big-headed by getting awards. But, well, I am.

You always hear people saying, 'I hope I'm not turning into my dad', but I'd be honoured if I became half as decent a bloke as he is.

I am a big fan of smelly cheeses but the rest of the family don't seem to be particularly keen on them.

There is something more spiritual to us than what we are on this earth, but how you access it I'm not sure.

I think I'm realising more and more that I've got a job to do and I can't be doing the big nights out and working to my full potential the next day. I feel much better for it.

There have been times I've finished a big job and thought, 'Great, a couple of weeks off.' But then a couple of weeks turns to three weeks and then after a month you're staring at the phone willing it to ring.

It can be tough as a jobbing actor.

I've always said that with kids' TV that people get stuck in it from drama school but that's not fair because I know myself that when you go in creatively, kids are so much more open to ideas. You're so much freer to mess about and try things.

The idea of being on TV 24 hours a day and people seeing the real me... No.

I used to attract a lot of feeders. I'd be quite happy to be locked in someone's flat and fed liquidised burgers.

Class still matters in Britain today.

I believe that Britain is becoming more class-conscious, and I quake at the very idea of Old Etonians ruling the world again.

My first holiday to San Francisco in 1998-99 was supposed to be a two-week vacation but I ended up staying five weeks and nearly didn't come home.

Never try to be witty with U.S. airport officials. It's always lost on them and you'll find yourself being put back on the plane.

I avoid any kind of organised trips as that's one of my bugbears.

If you write, produce and direct, you own things and see them through to the end.

In credits, I'm 'Michael' sometimes now, but people know you as something, so there's no point fighting it. 'Squiggle,' you'll always be 'Prince,' and 'The Rock,' just accept it. I want to move on, but not that much. So I'm still known as 'Johnny Vegas.'

It's lovely being a parent and being in a strong marriage with somebody who is your best friend.

I couldn't be 'Johnny' in front of a camera in acting jobs and behind the camera I like to be 'Michael.' With directing, you can't do it by halves. There's a lot of reflection, and I have found that I, as 'Michael,' thrive on it. It's lovely coming home and feeling that stuff from a day's work as myself.

I was loved as a kid; I was raised with more love and emotional support than most folks could wish for... my memories aged nought to ten... are all bound up together in a mesh of innocence and fun.

People are always asking, 'Where does Michael Pennington end and Johnny Vegas begin,' and you're going, 'It's not like that: it's blurred right across.'

From a certain age, I sort of accepted myself for what I was. And although to other people it was like nothing ever goes right, I had a really nice attitude that I'd inherited from my parents, and especially from my dad.

'Johnny' was a coping mechanism who could take those things which could have ordinarily destroyed me, by tweaking my past and throwing it back out there, getting laughs from things that would have otherwise upset me.

I came from a very loving home, had a happy life with no great aspirations, but going to the seminary changed me. There was a chunk of my childhood missing. Once I'd realised it wasn't for me, I still felt a tremendous pressure to continue for fear of letting everybody down.

I found popularity through self-destruction, and that can be quite addictive.

Being 'Johnny' was almost like an out of body experience. I thought he was just a character that I'd created and could quite easily step away from, but it was much more difficult than that.

I always say that the stand-up world is the arena of the unwell, and it is.

'Johnny' was always a lone wolf when he got on stage. Him against the world, whereas suddenly, when I got into acting, people were relying on me.

I thought I could play the hellraiser and then put 'Johnny Vegas' back in his box. I found popularity through self-destruction. The more you damage yourself, the more people are drawn to you, and that can be quite addictive. It is not a lifestyle you can maintain.

I don't want to demonise 'Johnny.' I was really proud of what he achieved. Especially within stand-up. He was quite a unique voice. I will always possibly be trading off 'Johnny's name, but there's a lot more things that I'm able to do now - the strengths that 'Michael' can bring to it.

Some comics are in it for what they can get out of it. Others are in it for a love of comedy. I think those that are in it for a genuine love of comedy find each other within the circuit and become friends.

There was always that thing with 'Johnny' - I always saw myself as his writer and PR. But when he got out there, I had no control. His whole thing was going off on those flights of fancy. Going, 'Let's see what we can possibly do that hasn't been done before up here.' And when it works, it's lovely; it's a great night.