I really believe that all of us have a lot of darkness in our souls. Anger, rage, fear, sadness. I don't think that's only reserved for people who have horrible upbringings. I think it really exists and is part of the human condition. I think in the course of your life you figure out ways to deal with that.

A good director creates an environment, which gives the actor the encouragement to fly.

We are being choked to death by the amount of plastic that we throw away. It's killing our oceans. It's entering into our bodies in the fish we eat.

A moustache is actually the one thing I really can grow. One of the bad parts about my facial hair situation is that I can't grow sideburns. I'm happy to still have my own hair on my head, but I can't grow any sideburns. If you ever see me with sideburns, they're not real.

Part of being a man is learning to take responsibility for your successes and for your failures. You can't go blaming others or being jealous. Seeing somebody else's success as your failure is a cancerous way to live.

Things could be worse. You remember that, and you go on with your life.

It does get old to have to always be a monkey in a zoo. I don't know what it's like any more to be anonymous.

'Animal House' was my first movie, so I didn't have anything to compare it to. I was a sight gag more than anything else. So I can't say it was one of those things where your life changes. When the movie came out, I had to ask for the night off at the bar.

With 'Transparent'. When Amazon put 'Transparent' up, along with 'Bosch' and a few other things, I watched them, and I thought it was an interesting exercise. I didn't comment on them, but I was like, 'Okay, this is kind of cool.'

There's this American dream to put enough away that you can golf and build a birdhouse or just be in a Barcalounger watching football all day. I'll never be that guy. And I'm not really sure the people who have that are all that happy. Our desires as a man are to work, plow ahead, and overcome conflict.

There are very few things that are purely conceptual without any hard content.

The most challenging work and the best work I've ever done was in a thing I did for PBS called 'Lemon Sky', a play by Lanford Wilson. I think it's the rawest, most complex work that I've had to do, and the thing I'm most proud of.

My father was into fame and leaving his mark. He was a city planner, sort of a genius in that world, the Robert Moses of Philadelphia. He was on the cover of 'Time' once, and I remember going to his office and seeing, like, two hundred copies, which he would hand out to people.

Whether it's my age or my misspent youth, sometimes I forget whether I've worked with somebody or not.

I would say invisibility would be sort of a fun power to have just to see what it was like to move through the world and not be looked at.

I just let the work speak for itself. An actor is not afraid to take risks; to put on different hats; to be a good guy, a bad guy, a victim, an abuser. There are all kinds of people in the world, and playing them is what acting is all about.

There is this idea that your social media platform is the secret to success, but no one has quite proven that to be true, if you ask me.

'Kung Fury!' I mean, Jesus, that thing is amazing.

Gary Oldman is impossible to steal a movie from. He's such a great actor, he's off the hook. I love him.

The business that people do in LA on the social level is amazing. You go to a restaurant, bump into this guy or that guy. The next day you get a call, and they want you in their movie.

The whole industry is changing because so many people watch things on DVR, and they watch things on other platforms, and I think everybody is kind of scratching their heads about how this is going to play out.

There are two types of actors: those who say they don't want to be famous, and those who are liars.

I have fond memories of Chris Penn, who's sadly not with us. He always made me laugh - it was great to be with him.

Some people have therapy, some people are alcoholics or they're in AA. Some people jump out of planes on weekends or find ways to release this kind of thing. And for me, it's acting. I find acting very therapeutic for whatever it is.

I want to see the numbers that prove that show-business marriages are any less successful than other marriages. It's just very public when they fail.

There are some actor secrets you keep sometimes, and you want to keep.

I'd really like to get the girl, shoot the gun, drive the car, have fun. I even have these kind of action dreams, where I'm the action guy.

I'd always tried not to worry about the size of the role or the size of the film.

I used to live on Riverside Park in New York, on the Upper West Side.

I started working in the mid-to-late Seventies, when television was not what it is now.

Kevin's mind goes to extremely interesting places. Every time we get a script, I go, 'Oh my God, I really didn't see that coming'.

Ninety-five percent of celebrity is good.

Any idiot can get laid when they're famous. That's easy. It's getting laid when you're not famous that takes some talent.

I'd love to be a pop idol. Of course, my groupies are now between 40 and 50.

Before Footloose, the things I'd done weren't cute. In Diner I was an alcoholic.

I was in the first 'Friday The 13th,' and that was a microbudget horror film.

Being with Kyra is so natural for me; it's the easiest aspect of my life. I know that I don't need a beach or room service to be happy.

You can sit around and complain that Hollywood doesn't make any good movies. But you can generate your own material. So I read books. I come up with ideas. I was the producer on 'The Woodsman' to help get that off the ground. Sometimes that extends itself to directing.

To me, the struggle is to try to make a less-well-written or less-well-rounded character and find who they are. If you really get it, and it's all on the page, then it's really just gonna pop out at you.

I think of myself more as a workhorse actor. It will be hot and cold and up and down, but no one will kick me out of the business.

I'm obsessed with zombies. I like watching zombie movies and I read zombie books.

The greats are 'The Shining', 'Rosemary's Baby', 'Don't Look Now', 'The Exorcist' - those movies were not really slashers: they were about psychological terror and had very deep emotional backdrops. If we do our best, '6 Miranda Drive' can be that kind of a movie.

I don't want to stop acting, but acting in some ways is a young man's game.

Doing funny scary is something that is rarely good and rarely works, and it's also something that's incredibly hard to market.

When it comes to music, it's my clothes, it's my guitar, it's my voice, it's my song.

Do you want to be the guy with a game named after you or be the one with 18 Oscar nominations?

I have a natural swagger.

For my wife and I, for so many years, a lot of our identity was based on being Hollywood haters. We were like, 'We're east-coast. We're New Yorkers. This is just a place that we have to come to, but not by choice.'

Here's the thing - I mean, I don't act for statues. I really don't. The great thing about winning an award is that it creates opportunities.

In my movie work, if I do one guy, the next guy I do, I want to do something kind of different. Even in terms of genre - it's really great to mix it up a little.