I wasn't made to take orders. My grandmother used to tell me: 'Laws are for idiots.' She was right.

My mother always told me I had to do 100 times better than a man. I had to work hard at maths, and learn four languages.

Well, I would have much preferred to have had a normal childhood. I would have loved it if my greatest dilemma, at 14, was whether to go to Benetton for my pullovers. I would have preferred not to have cried all the tears I have cried.

If the majority of people were right, we'd be living in paradise. But we are not living in paradise, we are living in hell. What does it mean? That means the majority of people are wrong. So I never believed what people told me.

If you have a little sensibility or a heart, you have all the reason to be depressed once in a while. But the depression is like a motor for creation. I need a little bit of depression, a bit of acid in my stomach, to be able to create. When I'm happy, I just want to dance.

I don't make a career plan. I take things the way they come.

It's not like since I make comics I only read comics and since I make movies I will only go out and watch movies. Any kind of artistic expression interests me; it goes from literature to music to sculpture, painting; whatever is extremely inspiring for me becomes a reference also for me.

I'm not a politician because I'm an artist. Politicians have a very easy answer for a very complicated question. I have a very complicated question for what you consider very easy situations.

Revolutions just spread blood. Evolution - this is something that changes in the long term.

I think that all stories - if you make movies about zombies and aliens - it has always to do with your personal story. If not directly, it is about your fears, your obsessions, things like that.

I have my dark side. You have your dark side. From the second that we have a brain, there are things that are not right - we are human beings with all these illusions and complexes and everything. That's attractive to me.

A real love story has to finish bad. That is what I think.

I'm not a very good financing person. I don't even know how much money I have in my bank account. I never have opened one single envelope from the bank - they freak me out.

To tell you the truth, I never wanted to become a moviemaker. It was like I was a cinepihile, and I go, like, three or four times per week to the cinema, and I like to watch films.

I always say to people, 'You know, if Romeo and Juliet got married, nobody would care about them.' Imagine Romeo and Juliet, six kids yelling, 'Mama, Mama, Papa, Papa!'

For me, who loves to draw and who loves to write and cannot choose between one or the other, the comic is the best form.

Cinema is a world of imagination.

I took three years of karate because of Bruce Lee, you know. I was a green belt.

That's the story of life - when you start enjoying people, it's always too late.

The music that I hate the most is R&B.

I don't like the word 'autobiography.' I rather like the term 'autofiction.' The second you make a script out of the story of your life, it becomes fictional. Of course, the truth is never far. But the story is created out of it.

I have been brought up open-minded. If I didn't know any people from other countries, I'd think everyone was evil based on news stories. But I know a lot of people, and know that there is no such thing as stark good and evil. Isn't it possible there is the same amount of evil everywhere?

My point of view when I make a book or I make a movie is to see the humanistic point of view. The point of view of the daily life of normal people.

I hate this word 'graphic novel.' It is a term publishing houses have created for the bourgeois so they wouldn't be ashamed of buying comics... I'm not a graphic novelist. I am a cartoonist and I make comics and I am very happy about it.

I had this fantasy that in a democracy the government was the population. So I came to America and got a big slap in my face... Americans were not what I thought. I thought I was going to see bastards and I saw nice people, very friendly to me.

I think the only universal thing is one individual. If you talk about a country or a nation or a culture, it's so vague. I mean what is a nation? A nation is full of nice and bad and long and tall and short and thin people. It's not like everybody is the same.

When you make a book or you make a movie, it is almost like hitting on somebody. It's not because you want to seduce people that you will seduce them; you can hit on somebody and it doesn't work. But when you hit on them and it works, then it's really cool.

You know, comics were created at the same time as the cinema. And the cinema very quickly became a major art. Cartooning didn't become a major art. There's a reason for that. People don't know how to deal with drawings.

I'm not a religious person at all.

As a director, you have to understand what is happening - if I don't understand it, you can't make changes.

In the West, people don't have any real problems. It's all based on bad conscience, a very Christian notion. I don't have any bad conscience. If there's a God that created us, if I am bad, it's his fault.

I think with pictures; I'm a very lousy writer. If I write without pictures, I become this pathetic chick sitting somewhere trying to be interesting.

If it's a good work of adaptation, the book should remain a book and the film should remain a film, and you should not necessarily read the book to see the film. If you do need that, then that means that it's a failure. That is what I think.

I think animation is like running a marathon, and making a movie is like a 100 meter sprint. The question is: are you a marathon man or are you a sprinter? I realized that I was more of a sprinter than a marathon man. With a long, long project, I get bored easily.

I'm not a politician. I don't know how to solve the problems of the world. But as an artist, I have one duty: to ask questions.

The movie business is not about the money. Of course, you need money to make the movie. If you have a small budget, adapt yourself. Having $200 million dollars doesn't ensure that you're definitely going to make a good movie. There's so many examples that prove that.

I don't think that I have ever been rebellious. The thing is that I don't believe in people - what people tell me. I have to accept it in my own brain first. I don't listen to anyone, never.

You hear people saying, 'Oh I'm so tired, I've had enough of Cannes.' How can you have enough of Cannes? It's just the best place to be, like a fairytale.

The most exciting time is when I think of an idea and how I imagine I can make it. It would be wonderful if there was a projector inside my eye that and it could just put the idea on the screen for people to see.

I don't watch many comic-book movies. But I loved 'Sin City.'

Americans think cinema is about storytelling; I don't believe that. I think it's a language and everyone has to find their own way of speaking. It's not so much what you say as the way you say it.