QUOTES by Parvathy
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Bollywood is there; the film industry is thriving, and it's huge, and it's everywhere. Anytime I travel abroad and I say I'm an actor from India, they're like, 'Oh, Bollywood!' And I say, 'Umm, not yet!'
Quote by -Parvathy
We should release films without revealing the director's name, as his or her gender would not be a barometer to watch those films.
Quote by -Parvathy
The writer and the director are ultimately responsible for what is portrayed and glorified in a film. Then comes the producer.
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I have worked in films where we just put on the make-up and go in for a shoot without any discussions and even a talk with the director.
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I longed for people to forget Parvathy and remember my character. That has finally happened in Malayalam.
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The day the audience feel they are watching Parvathy instead of the character, that would be me failing as an actor.
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I have been shocked at some senior actors who made lewd comments on my body. They think it is normal, and in fact, I thought it was normal. But, much later, I failed to see how that is a normal thing.
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Cinema is very important to me. I derive a lot of strength from this art form, and I believe that it is very impactful socio-politically.
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You can't just skim the surface of any role. You have to find the depths, because any other way would be dishonest.
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Diversity is strength. Our cinema and our art forms need to diversify so that it tells all stories, all perspectives.
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I have been in the industry for 11 years but still feel excited about my work. That is what keeps any actor going.
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From my personal experience, I've put on and lost weight according to each character's requirement, which has taken a toll on my health.
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I like it when things come to me; I choose a movie if I know I need to be a part of it.
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I was not somebody who watched a lot of films. We couldn't afford to. We came from struggling family background.
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Some of our life experience makes us weary of love and make it difficult to forgive others.
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I don't know what I want, but I do know that I don't want the usual stuff, the cliched stuff is just too mind-numbing. They sell, I know, but it makes me sad to know that.
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No matter how big or new they are, I always look for the intention of the filmmaker first. Their intention has to be in the right place.
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I remember I was in my ninth grade, and I was smitten by Sushmita Sen, the way she carried herself, her interviews, and, of course, her movies.
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I am quite content with my work in Malayalam cinema, and so there was never any reason to look outside for opportunities.
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I know how difficult it is to learn languages, since I am working in three regional industries in South India, and unless the director wants my voice to be dubbed, I do my own dubbing.
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I have worked with big actors, but honestly, I don't judge the viability of a project on the basis of the star value attached to it.
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If you're talking about industry, I've never restricted myself to Tamil, Malayalam, Hindi, or Kannada. Whichever the language is, from Swahili to Marathi or Bhojpuri to Bengali, I would be happy to do it.
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Sometimes, the actual feeling of loving someone takes a back seat because we are busy defining it.
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I would want the audience to simply see the character I portray in each movie in its true essence because I feel acting is all about truthfully portraying the character.
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How sad is that life when a man thinks that his manliness comes with asking sexual favours from a woman. That's the saddest way of being a man.
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Women need to tell their stories from their experiences, and that may not mean that it would be all stories with women as protagonists.
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We need women in cinema to know first that they have a safe space to open up about their struggles without being judged and marginalised.
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I discovered that there was no difference between playing a real-life character and a fictional one.
Quote by -Parvathy
The only kind of influence I want to be on anyone is by being, constantly and consistently, someone who probes herself at every juncture, improves the way in which she functions as a citizen, and questions the status quo.
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