I need a combination of attitude, sensuality, and vulnerability. I need a new kind of heroine. After Bipasha Basu and Sunny Leone, India now needs an even more unique fantasy figure.

If you are not willing to be a lone wolf, keep your truth to yourself. If you want acceptance and your truths to be spoken, it is a slippery slope.

I want to bust the stigma attached to alcoholism in our country. Women particularly are discouraged from seeking help because it's a matter of shame for the family. We don't share our pain or frailties; we cover our weaknesses, and it becomes a cancer.

There are no bad actors. There are only bad directors who cannot make their actors act.

The constant craze of size zero and crash diets is not very good.

My censor board is my own heart and mind. Our audience can say that the women in my films are bold or sensual, but never, ever vulgar.

My gaze is very different from that of Ekta Kapoor's, and that is quite visible in those two films - 'Ragini MMS 2' and 'Jism 2.'

I don't only cater a film to the male audience but also the female audience.

Now, with a click of a button, one has access to amazing content across a wide plethora to choose from; hence, traditional filmmakers will have to evolve in order to cater to the palate of the newly empowered end consumer or perish.

I stopped acting, as I was not curious about it anymore. I was not passionate about acting.

Truth doesn't need a PR. If you believe it, go out there and speak it. Do not expect anyone to hold your hands and support you.

My grandmother, Betty Bertha Bright, lived in the Armenian block in Kolkata. After '36 Chowringhee Lane,' we haven't seen that part of the city in films.

I could not be arm candy to a hero.

I am addicted to watching cookery shows.

Ninety per cent of the crew that work with me are there since my childhood and which is why I do not want to work too much outside - because the people I work with are as important for me as my role.

I enjoy production more than acting, as one is involved in many aspects of film-making.

What supermarkets did to small neighbourhood shops is what digital platforms will do to cinema.

We have German Shepherds, gifted by a friend, and the rest are street dogs we have adopted.

Most filmmakers looked at it as a medium to palm off sub-standard stuff. I don't look at it like that. Your TV screen, mobile screen is as relevant as a cinema hall.

I did 'Daddy' when I was 17 years old. My father, Mahesh Bhatt, directed the movie, and he cast me.

I tried marriage. Do I advocate it? Yes. Marriage is a wonderful institution, provided you meet the right person and you be the right person.

It is important to change, acknowledge, and accept our mistakes. It's important that we - this goes even for me - introspect and see the wrongs we have done. It's time we all grew up.

If you don't have a basic spend on marketing, there is no point releasing the film in theatres.

People forget that I am the granddaughter of a person named Nanabhai Bhatt, who had made more than 150 odd films. He was the person to introduce the double role phenomenon in Indian movies.

Your film is a hit, you bathe in champagne; it flops, a single malt lessens the pain.

Some people don't have the luxury to see a future without the man, as they are dependent on him. That's because they put their education or priorities aside to be mothers or wives to somebody.

I don't leave things like recovery to chance! I have learned from the best, after all - my father and uncle!

I don't believe that a piece of paper can decide your relationship status.

No one is immortal. Don't worry too much about your life. Just sing your song... and go.

I quit drinking because I thought somewhere I had fallen in that trap of addiction, and the only way to get out of it was to acknowledge it to myself.

I love my flops. Look at my life: my failure that broke my heart made me stronger.

I enjoy just being a producer and a home maker. I love being in charge. I love being the tortured and tormented soul. I am a Piscean. I enjoy the real-life drama fully.

I had said bye-bye to acting, in a way, but once an actor, always an actor. Life has got other plans for me. Like, I did not want to be an actor - I wanted to be an architect or astronaut - and 'Daddy' happened, and the rest is history.

The director does not have anyone to blame but himself. He or she cannot hide behind anybody. If a film is a hit, everyone gets the credit, but if it flops, only the director can be blamed.

I was told that since I am such an opinionated woman, people would think 10 times before approaching me for their films.

I have seen this whole process of films releasing, becoming hits or flops, for too long now to expect things to do well. If I expect a film to do well, then it is for somebody else's sake, not for my own. I do my work, and if you feel that my work is improving from film to film, then I have done my part of the job.

There is no denying the fact that we live in a patriarchal society, and Bollywood is a patriarchal industry for sure. And it is not too fond of women with opinions.

The last person who was brave enough to cast me was Rahul Bose in 'Everybody Says I'm Fine.' He gave me no choice. He is my dearest friend. I confided in him about how disillusioned I was by the business of cinema and stardom. He offered me a role.

I am grateful to all the ups and downs in my life.

It's important that, as women, we tell ourselves we are half of the humanity, and unfortunately or fortunately, we rely too much on other people for our validation.

Very often, unfortunately, people may believe something, but they go along with a group of people because they don't have the courage to stand alone or stand up for themselves.

I am acting in a film based on Abheek Barua's 'City of Death.' It is a dark story that sifts through many layers of Kolkata.

Apart from my film, I am producing TV serials and plan to make more films, too. Mine is not going to be one-film-a-year production company as such.

It doesn't matter whose banner I work for. If it is good, then I do it if I want to do it.

I am choosy about my films, period - whether it's my father directing it or anybody else.

Metamorphosis is important as long as we learn from everything.

I'm in the pink of health except for the weight I put on because I'm now a stressful producer. But being the daughter of an alcoholic makes you four times more susceptible to becoming one.

The satellite and digital space is where the audience for 'Cabaret' lies: a discerning lot who don't rush to the cinema hall on the first day, first show, and prefer instead to consume their entertainment at their time and comfort.

I want to be a star who acts as well.

I am single, successful, and reasonably attractive. Whether I decide to have relationships that end in taking the plunge or not, they are my decisions.