“At the prompting of some stray instinct or chance association, you will invent delightful or fearsome circumstances, identifying them, with the most shameful doubleness, with the real ones...you will burst into passionate eloquence, or pant in the direst predicament, all for the fun of it, or by virtue of a terrible inner compulsion; and this dream which is byplay, or play which is a waking dream, will exhibit your brooding soul, if not always to moral advantage or with much coherence, at least in its unsuspected ingenuities of invention. What brilliant images, what subtle emotions, what dramatic turns in the argument of a dream, and in the make-believe of children! You seem to dictate and compose your fiction deliberately, rejecting, foreseeing, feeling the oncoming revolution towards which circumstances must be addressed.”
“Moreover, in my own way, I have discerned in pure Being the involution of all forms. As felt, pure Being may be indeterminate, but as conceived reflectively it includes all determinations: so that when deployed into the realm of essence, infinite or indeterminate Being truly contains entertainment for all eternity.”
“….ideal goods cannot be assimilated without some training and leisure. Like education and religion they are degraded by popularity, and reduced from what the master intended to what the people are able and willing to receive. So pleasing an idea, then, as this of diffused ideal possessions has little application in a society aristocratically framed; for the greater eminence the few attain the less able are the many to follow them. Great thoughts require a great mind and pure beauties a profound sensibility. To attempt to give such things a wide currency is to be willing to denaturalise them in order to boast that they have been propagated. Culture is on the horns of this dilemma: if profound and noble it must remain rare, if common it must become mean.”