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It's no good to do a piece once and then move on because it doesn't have time to develop. I try to play seven or eight concerti in a season, and generally one or two of those are new for me.
It's no good to do a piece once and then move on because it doesn't have time to develop. I try to play seven or eight concerti in a season, and generally one or two of those are new for me.
Hilary Hahn
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