We wanted 'At Dawn' to be what it was: kinda spaced-out.

I really have a lot of respect for music, the art form of music. It's my whole life. I don't care about any of that other stuff. And I have always felt that way. I'll build a career on my own merits, my own hard work and nothing else.

I've just had this idea pop in my head of trying to learn a new song every da, and try and play it that night. That's been fun for me because it's a little bit of a scary adventure, playing a song for the first time in front of people and letting it just be what it is.

'Circuital' was just so much about us as a band. We captured every song live, including the main vocal. That is probably my favorite My Morning Jacket record because it's really the essence of us being us. The solo record is just a completely different essence of just me trying to figure out stuff.

Lou Reed's spirit and the way he did things was so important. Him and his music mean so much to me as the years go by.

The gospel funk soul era, that's what I'm obsessed with - pretty much all the '70s through early '80s.

Almost every time I go to the ocean, I think about throwing my phone right into it. Sometimes, you pull that thing out of your pocket, you look at it, and you're like, 'What was I just going to do with this? Was I going to take a note? Was I going to check my email? Was I going to take a picture?'

Somebody brought up the idea of reissuing 'Tribute To 1' because it was out of print on vinyl.

My aunt played upright bass in the Louisville Orchestra, and I was always really impressed by her musical ability. I found it really fascinating as a kid that one could play music for a living.

When I was maybe three years old, I was obsessed with this song 'Leader of the Band' by Dan Fogelberg. My mom took me to the mall and bought me a 45 of it. We would listen to that song all the time.

I just think bad vibes and hate and Trump are getting so much airtime, we need to speak out loud for peace and equality and fairness and make sure we all know that there are a lot of us out here in the world that just want love.

I've got a studio at home, and I'm always recording.

That's the bulk of my lyrical output - being confused and trying to find answers to my confusion.

Youth is wasted on the young. And it doesn't even matter if you sit a young person down and tell them, 'You're so healthy, take advantage of it before it's gone!' They still can't hear it.

I feel like the world gets so consumed and gobbled up by action, and the pace of life is so frantic, and people feel like, in order to move somebody, you have to do something shocking or violent or something insane and fast.

I grew up on, and kind of came of age, during the grunge movement and was introduced to Neil Young and Bob Dylan and grew up on that path.

I always think of albums as the format. I think it's perfect. I don't think you can tamper with that. It's not just sound, the analog, which is so much richer. It's the format. You're constrained by just 45 minutes, and it's perfect to me. I don't want to listen to any more than, and I live and breathe music.

There's these things we do that take us into the zone - and we go in that place that I feel like is the place of love that you reach when you're in love or making love, or you're having a good conversation. I feel like that is God.

It's a joy, the process itself, even instrumentally, playing and constructing music. It's just so beautiful to me.

I don't think about taking risks anymore because there aren't any risks to take.

While I'm working on something, every single part of me is in it. But then, once it's done, I leave that place behind. I usually don't like to revisit it. So it's almost like listening to a different person.

I've gotten into doing electronic books and audiobooks, so I have an iPad. I still love reading a real book, but when you travel, it's better than carrying around a bunch of books.

I'd write songs like 'One Big Holiday,' and we'd play it and say, 'It's too heavy for 'At Dawn.' Let's save it for the next one.' We had more time for that, but when you mix a song, the general rule of thumb for us is a song a day or usually a day and a half.

The band can't exist without the crowd, and the crowd wouldn't be there if it wasn't for the band, and it really is something magical that people need.