And touring is difficult when everybody's heads aren't in the same place.

I'm an actor's director.

I'm a sentimental guy.

When Wes came back to Limp Bizkit, we really wanted to do something different. We wanted to make a core record that we didn't care who liked or who disliked.

I'm in touch with the social networks and stuff.

When you say something is very different to a core base that expects heavy music from you or very aggressive music, everybody tends to go, 'Oh, they're gonna get mellow, they're gonna get soft.'

When you reminisce aren't the times that someone's forcing you to reminisce. You reminisce other times in your life.

I think they'd rather us follow our hearts and I hope that's what some people will understand.

I love finding EPs for bands that you just discover.

I'm the same guy at that podium preaching to the people on every single song. I'm not doing a dance for you on another song. It's all a direct assault.

I love it when talented actors can bring characters to life. Anybody who wears their feelings on their sleeve and has a harder, crusty shell - like I do - is definitely protecting an inner sensitivity.

You know, in my music career there was a moment where the irony was just so heavy. There were people in my audience that were the reason I developed neuroses. These people that tortured my life were using my art, my poetry, as fuel for them, to torture other people.

There's an insecure part of me that comes out of me, I get nervous. I don't know why, I wish I could overcome it because it gives me an anxiety feeling.

I love jazz music and sad music. I'm a sentimental guy. I'm a romantic guy.

There's some people who are not understanding what Limp Bizkit is about. But, then again, who am I to tell people what they can use art for or how they can interpret it?

As much as I want to go out and tour every single day and I'm ready to rip it right now, there's five people in the band, there's five people who've evolved and grown and there's five people who have to get on the same page and want the same things, and it takes a lot to tour.

I didn't want to do a throwaway, mindless movie with fart jokes just to make 6-year-olds laugh. I want to provide my children with some substance.

I'm 38 years old and Limp Bizkit is just something I do. If I was a painter, it would just be a type of painting I make.

I'm definitely on the incline to a peak.

It's not about how much movement you do, how much interaction there is, it just reeks of credibility if it's real. If it's contrived, it seems to work for a while for the people who can't filter out the real and unreal.

I wouldn't support Limp Bizkit being on some snuff backyard brawling, fighting contest.

One of the things that was confusing about Limp Bizkit to some people is that our tastes were very different.

When I look back on my knee-jerk reactions now, I realize I should have just taken a breath.

I've been around golf my whole life. My father did it all the time, and I resented him for it. But a couple years ago I picked up a golf club and I understood the physics of it. If anyone knows anything about golf, it's that once you hit a few shots, you'll become addicted.