I record stuff all the time, like little vocal things. I write random things down... Sometimes I just get things stuck in my head and I record them, and that actually becomes a song quite a lot of the time.

Since I met Starsmith, my producer, I really feel like I'm making music because we write it together and produce it together. I've got a proper involvement in the end product as opposed to just writing a song and finding someone else to produce it.

I don't think there was ever a moment when I was like, 'Yeah, I want to be a singer!' I guess it just happened. I performed a lot when I was younger and stuff, but I remember getting to the point where I thought I might have to get a normal job.

I'd call what I do pop music, but it's folky and electronic and it doesn't really sound like much else.

I'd like to look like Madonna when I'm her age. I also look at athletes and love their bodies. I've always wanted to be muscly, not skinny. A lot of women yo-yo around, but I'm always aware if I'm getting a bit out of shape. I never look at the scales but I can just tell. It goes on my tum and bum.

People always try to find my agenda, but I don't really have one. It's safe to say that I make pop, but I think that I'm doing important music, too. I've just always done what I wanted to do.

My mum was too busy raising four of us to encourage my hopes. But I'm glad I had the upbringing I did. It made me a worrier and a thoughtful, curious person.

I'm not afraid, as a writer, of being emotional. I'm obsessed with human emotion, body parts, physicality.

I've got a song called 'Salt Skin' because when you run in the heat it evaporates and you've got salt crystals on your face. I love that, because it means you've worked really hard.

Bjork, I'd love to do something with her. I'd love to do some sort of crazy orchestral choir thing with her.

Drake, I'd like to collaborate with. He's a phenomenal lyricist. Probably the best rapper in the world at the moment. I love Kanye but there's something about Drake; he's more straight up, really clever and really poetic and metaphorical - I love that. He's just clever.

My hairdresser in the U.K., Adam Reed, has his own line, Percy and Reed, and it's really good. And I use Moroccan Oil and Kerastase as well.

I love designer stuff but like it will only be like, on a whim. I love Alexander Wang so much, but it's expensive.

I'm a bit of a like girly-girl, really, I like flowery stuff.

I got a random tattoo the other day. It's a red triangle, which makes everyone think I'm arty, which I'm not. I used to draw red triangles all the time. It must mean something - maybe I don't know it yet. But I'll figure it out.

Not much shocked me. You know, I worked in a home for Alzheimer's patients and my dad used to be really into murders and stuff, so I saw dead bodies. It desensitised me to a lot of things.

The nature of how we are as human beings is that we're much more interested in being critical rather than praising something.

If a hundred people want autographs, sometimes you have to say no because you've got to get up for a 4 A.M. flight or something. In that sense, it really pisses me off when people think you've become a diva. It's not becoming a diva, it's because of the situation, I think.

I'm quite private. And I never wanted to be the biggest star in the world, really. So in that sense I've got a good balance of doing great shows, of making an appearance every now and then and writing music, and I don't really have to do much else.

I was super brainy and a proper geek at school, but there would always be a boy. But that sort of obsession did turn me into a songwriter. My writing has always come from that feeling of infatuation.

I've learned not to let it be the end of the world if a boy doesn't like you. I used to put so much effort into boys. I started playing guitar because I wanted to impress this boy. Then, I ended up in love with guitar and I didn't care about the boy anymore.

The very first song I wrote was about a boy that I was obsessed with.

My voice has been very, very produced, and very treated - but then, also, it hasn't.

By the time I got writing 'Halcyon,' I was on a roll, and I realized I had so much to write about, I realized I had so much built up inside that I couldn't really alleviate before, and then all of a sudden it was like reservoir burst.