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I wouldn't say that I'm an Italian wine connoisseur. I do like red wine. I guess my favorites now are Bordeauxes. French.
Erik Larson
The one place where I do think our culture today has to be extremely careful is this whole thing about illegal aliens. Because any time you start defining a significant block of the population as 'others,' or as less than you, you start getting into dangerous waters.
I find diplomatic histories the dullest of histories.
It was a civilian ship, and the Lusitania could outrun any submarine. So this population of people was very confident that Cunard and the Royal Navy would be looking after them. Why weren't they under convoy? That's the real question.
The sinking of the Lusitania wasn't the proximal cause for the U.S. entering WWI. It was almost two years between the sinking and the war declaration, and President Wilson's request for war never mentions the Lusitania.
With my research, I really need absolute confirmation of what actually happened, direct physical connections to the past.
The telephone call that forever changed the lives of the Dodd family of Chicago came at noon on Thursday, June 8, 1933, as William E. Dodd sat at his desk at the University of Chicago.
I write to be read. I'm quite direct about that. I'm not writing to thrill colleagues or to impress the professors at the University of Iowa; that's not my goal.
The thing I always tell my writing students - I'm not a full-time instructor, by any means, but periodically I've taught writing students - what I always tell them is that the most important thing in narrative nonfiction is that you not only have to have all the research; you have to have about 100% more than you need.
I was once again looking for a book idea, and I remembered Holmes, but I specifically remembered that there was this World's Fair thing in the background. I thought, 'I'll read about the fair.' I had nothing better to do. I'd dismissed about a dozen ideas, and I was getting sort of antsy. I started reading, and that's where I got hooked.
I was in Bucks County at the 'Bucks County Currier Times,' which is a great place to start for any reporter who wants to start out.
My life! That's a long story, too. I was born in Brooklyn, New York, like half of the world, I think.
I'm often associated with parallel narratives or dual narratives. The 'Devil in the White City' was a fluke.
My goal is to produce as rich and historical an experience for the reader as I possibly can, to the point where when somebody finishes reading the book, he or she emerges from it with a sense of having lived in the past.
What drove me to do 'Dead Wake' was that after doing the most preliminary of reading and scoping out what kinds of materials might be available in archives and so forth, I realized that this book - the research, the writing - would present me with a rare opportunity to explore to a full extent the potential for suspense in a nonfiction work.
I read a book called 'Transatlantic', which is a history of the great shipping lines. Also, of course, I had read about the Titanic and saw Leo drowning at the end of the 'Titanic' movie and all that stuff.
My office is tiny. I think most people would be shocked if they came to my home and saw it. It is, in fact, the former makeup room of a gorgeous local TV newscaster. I keep a neat desk. Clutter makes me anxious.
Since I loathe the tedium of gym workouts, I take breaks for tennis with my eclectic group of tennis pals.
I'm an early riser, for one thing. This started back when our kids were small. My wife and I would get up at 4 A.M. so that we could have a couple of peaceful hours before they woke up. That pattern has continued. I get up, make coffee, and while it's brewing, I do 50 sit-ups.
At first glance, the story of the Lusitania doesn't seem like the sort of thing I would take on. I usually like ideas that are a little bit more complex, things that people don't know about - or maybe they once did, but now you bring it to life for them for the first time.
The reason I choose the stories I choose - and it's why it takes me so long to find ideas - is that I'm looking for that very thing. I want an idea that begins, I want a middle that is compelling and will bring readers along, and I definitely want an ending.
Anytime you look at someone in detail, you're putting the camera on that person. What I typically look for is one or two or three really strong characters who will hold the narrative throughout the work.
It's not my intent to write definitive history. 'Dead Wake' isn't a definitive history of the sinking of the Lusitania. It's my account.
I don't really have a bucket list, but if I did, one entry would be to dust off my college Russian and spend a big chunk of a year reading, or trying to read, 'War and Peace' as it was meant to be read, in Russian, with all that rumbly rocks-on-rocks poetry inherent to the language.