I saw that she was crying. Before I knew it, I was kissing her. Others on the platform were staring at us, but I didn't care about such things anymore. We were alive, she and I. And all we had to think about was continuing to live.

All you have to do is wait,” I explained. “Sit tight and wait for the right moment. Not try to change anything by force, just watch the drift of things. Make an effort to cast a fair eye on everything. If you do that, you just naturally know what to do. But everyone’s always too busy. They’re too talented, their schedules are too full. They’re too interested in themselves to think about what’s fair.

You might think you made a new world or a new self, but your old self is always gonna be there, just below the surface, and if something happens, it'll stick its head out and say 'Hi.' You don't seem to realize that. You were made somewhere else.

If you try to use your head to think about things, people don't want to have anything to do with you

That’s all I think about these days. Must be because I have so much time to kill every day. When you don’t have anything to do, your thoughts get really, really far out-so far out you can’t follow them all the way to the end.

I don’t know, I don’t feel right unless I’ve got the sea and mountains nearby. People are mostly a product of where they were born and raised. How you think and feel’s always linked to the lay of the land, the temperature. The prevailing winds, even.

Thinking about spaghetti that boils eternally but is never done is a sad, sad thing.

The problem was, I think, that the places I fit in were always falling behind the rimes.

I think that my job is to observe people and the world, and not to judge them. I always hope to position myself away from so-called conclusions. I would like to leave everything wide open to all the possibilities in the world.

In traveling, a companion, in life, compassion,'" she repeats, making sure of it. If she had paper and pencil, it wouldn't surprise me if she wrote it down. "So what does that really mean? In simple terms." I think it over. It takes me a while to gather my thoughts, but she waits patiently. "I think it means," I say, "that chance encounters are what keep us going. In simple terms.

The best point of my novels, I think, is their humor. I want to keep many my works humorous.

I write my novels personally, desperately and non-negligently. When I write my novels, I think about my novels only, and never do other works.

I've translated a lot of American literature into Japanese, and I think that what makes a good translator is, above all, a feel for language and also a great affection for the work you're translating. If one of those elements is missing the translation won't be worth much.

Narratives have the same power, I think. Some readers of my novels ask me, "Why do you understand me?". That's a huge pleasure of mine because it means that readers and I can make our narratives relative.

In Japan, the writers have made up a literary community, a circle, a society. I think 90 percent of Japan's writers live in Tokyo. Naturally, they make a community. There are groups and customs, and so they are tied up in a way.

George Orwell is half journalist, half fiction writer. I'm 100 percent fiction writer... I don't want to write messages. I want to write good stories. I think of myself as a political person, but I don't state my political messages to anybody.

I think history is collective memories. In writing, I'm using my own memory, and I'm using my collective memory.

I don't think of myself as an artist. I'm just a guy who can write.

In Japan they prefer the realistic style. They like answers and conclusions, but my stories have none. I want to leave them wide open to every possibility. I think my readers understand that openness.

Since I have come to America, I am often asked whether my next novel will be set in America. I don't think it will. I think I will be living in America for some time to come, but while living in America, I would like to write about Japanese society from the outside.

I try not to think about anything special while running. As a matter of fact, I usually run with my mind empty. However, when I run empty-minded, something naturally and abruptly crawls in sometime. That might become an idea that can help me with my writing.

Some people think literature is high culture and that it should only have a small readership. I don't think so... I have to compete with popular culture, including TV, magazines, movies and video games.

I've run the Boston Marathon 6 times before. I think the best aspects of the marathon are the beautiful changes of the scenery along the route and the warmth of the people's support. I feel happier every time I enter this marathon.

These are the things I learned: share everything, play fair. Don't hit people. Put things back where you found them. Clean up your own mess. Don't take things that aren't yours. Say you're sorry when you hurt somebody. Wash your hands before you eat. Warm cookies and cold milk are good for you. Live a balanced life. Learn some and think some and draw some and paint and sing and dance and play and work some every day. Take a nap every afternoon, and, when you go out into the world, watch for traffic, hold hands, and stick together.