I was supremely fortunate to do several projects that I'm really excited about. So within all that, there's a lot going on this year. I'm excited about 2016.

I really wasn't into comic books growing up.

Viola Davis is a perfect example of somebody who's so much better than the parts she has the opportunity to play.

Understand that we are all co-creators of our respective destinies.

My friends in college, several of whom are still my closest companions, would tell you that I was almost obsessed with becoming - fixated on creating - the future that I envisioned for myself: one of expanding to know my fullest self, which I have in no way achieved.

If you convert to Islam after a couple of decades of being a black man in the U.S., the discrimination you receive as a Muslim doesn't feel like a shock.

We live in diverse communities with all sorts of people from all sorts of different backgrounds. The more our entertainment can be a reflection of the world we live in, the better it is for all of us.

I believe that everything has a shelf life.

I loved going to superhero films growing up - you come home, and you pretend to be those people, and it ends up informing much of what you aspire to be. And that's what I will say is important about the genre.

I have had that same experience where there are several people who have come up in my life at the right time and have made critical contributions to how I see the world and how I see myself.

I'm so appreciative that people have begun to recognize my work in a way where it can afford me more opportunities.

Cottonmouth is the result of having to react to his circumstances. He had to, in some ways, take control of the situation and own his circumstances. But as a result of that, he became a person he didn't intend to become.

I was a sports kid.

I'd always wanted to do a Marvel project, and I'd always imagined getting to play one of the superheroes because it's such a hard thing to get. It's the parts that only go to a few people. The flip side of that is the antagonists are pretty awesome.

Basketball wasn't going particularly well, but in my senior year, I did a play and got a wonderful card from a professor that said, 'I don't know what your plans are after school or if acting is a part of it, but you have something special.' Hearing that from someone who I had so much respect for pointed me in that direction.

My dream role is Jack Johnson, the first black heavyweight champion.

I really enjoyed working with Mariah, Alfre Woodward's character, because she's a wonderful actor, and I felt we had a natural chemistry that was reflective of real family members.

To really be conscious of how long the journey is, be patient, push yourself, persevere, and always be working on your craft while waiting for your break. That's what I'm still working on, having done this for 20 years now.

I got my Equity card right out of NYU grad school in 2000, doing 'The Great White Hope' at Arena Stage. I played Jack Jefferson. It was an amazing part to walk into, to carry that responsibility for that amount of time. The challenges and the breadth of that role were pretty amazing.

I don't want to say I took myself too seriously, but I put a lot of pressure on myself coming out of school. I saw so many people leave the business behind, certain opportunities disappear for folks who had to go into other professions. That kind of terrified me. As a result, I wanted things to happen really quickly.

I grew up on a wide range of stuff. OutKast, they been around for over 20 years, and some of the L.A. cats like Defari, Dilated Peoples and Likwit Crew. I was always going to these shows and catching the KRS-One tennis ball, as he would throw those out, EPMD. I could go on and on.

Like so many families, we were dealing with limited means. We weren't poor at all, but we had some challenging times financially. When my stepdad got laid off... we were really trying to find our footing for a couple of years.

I had two jobs coming out of school: I did a play, 'The Great White Hope.' I played the boxer Jack Johnson. And I was the lead in this indie film. Then I moved to Los Angeles because New York was cold and it was really too quiet for me at that time. I was out of school; I was hungry. The auditions were trickling in, and I was antsy and ready to go.

It's funny how you can be thought of as somebody who humanizes bad guys, and I'll take that, but it is something that gave me pause, and I started speaking to my team about finding a good guy.