Any idiot can get laid when they're famous. That's easy. It's getting laid when you're not famous that takes some talent.

Ninety-five percent of celebrity is good.

Kevin's mind goes to extremely interesting places. Every time we get a script, I go, 'Oh my God, I really didn't see that coming'.

I started working in the mid-to-late Seventies, when television was not what it is now.

I used to live on Riverside Park in New York, on the Upper West Side.

I'd always tried not to worry about the size of the role or the size of the film.

I'd really like to get the girl, shoot the gun, drive the car, have fun. I even have these kind of action dreams, where I'm the action guy.

There are some actor secrets you keep sometimes, and you want to keep.

I want to see the numbers that prove that show-business marriages are any less successful than other marriages. It's just very public when they fail.

Some people have therapy, some people are alcoholics or they're in AA. Some people jump out of planes on weekends or find ways to release this kind of thing. And for me, it's acting. I find acting very therapeutic for whatever it is.

I have fond memories of Chris Penn, who's sadly not with us. He always made me laugh - it was great to be with him.

There are two types of actors: those who say they don't want to be famous, and those who are liars.

The whole industry is changing because so many people watch things on DVR, and they watch things on other platforms, and I think everybody is kind of scratching their heads about how this is going to play out.

The business that people do in LA on the social level is amazing. You go to a restaurant, bump into this guy or that guy. The next day you get a call, and they want you in their movie.

Gary Oldman is impossible to steal a movie from. He's such a great actor, he's off the hook. I love him.

'Kung Fury!' I mean, Jesus, that thing is amazing.

There is this idea that your social media platform is the secret to success, but no one has quite proven that to be true, if you ask me.

I just let the work speak for itself. An actor is not afraid to take risks; to put on different hats; to be a good guy, a bad guy, a victim, an abuser. There are all kinds of people in the world, and playing them is what acting is all about.

I would say invisibility would be sort of a fun power to have just to see what it was like to move through the world and not be looked at.

Whether it's my age or my misspent youth, sometimes I forget whether I've worked with somebody or not.

My father was into fame and leaving his mark. He was a city planner, sort of a genius in that world, the Robert Moses of Philadelphia. He was on the cover of 'Time' once, and I remember going to his office and seeing, like, two hundred copies, which he would hand out to people.

The most challenging work and the best work I've ever done was in a thing I did for PBS called 'Lemon Sky', a play by Lanford Wilson. I think it's the rawest, most complex work that I've had to do, and the thing I'm most proud of.

There are very few things that are purely conceptual without any hard content.

There's this American dream to put enough away that you can golf and build a birdhouse or just be in a Barcalounger watching football all day. I'll never be that guy. And I'm not really sure the people who have that are all that happy. Our desires as a man are to work, plow ahead, and overcome conflict.