When I can focus on something like guitar or painting, I do. I started painting people I admire, like Kerouac, Bob Dylan, Nelson Algren, Marlon Brando, Patti Smith, my girl, my kids.

I was a million percent in love with Edward Scissorhands. I remember looking in the mirror on the last day of shooting... and thinking how sad I was to be saying goodbye to Edward.

If someone is being bullied or feels like an outsider, and they relate to something that I've done, even if it's just igniting a spark, that's great. I had that feeling as a kid. I was messed with no end.

I marketed pens - on the phone. But the beauty of the gig was that you had to call these strangers and say, 'Hi, how ya doing?' You made up a name, like, 'Hey, it's Edward Quartermaine from California. You're eligible to receive this grandfather clock or a trip to Tahiti.' You promise them all these things if they buy a gross of pens.

I don't go anywhere without a book by James Joyce called 'Finnegan's Wake.'

There's definitely healing properties to being in proximity to the ocean and that breeze. There's something about that Caribbean climate and humidity.

I've never felt particularly ambitious or driven, that's for sure, although I like to create stuff, whether it's a little doodle, a drawing, a small painting or a movie or a piece of music, so I suppose I'm driven by that. Everything I've done has felt very natural, and it's happened because it's happened.

When I played Tonto in 'The Lone Ranger' and was playing the older Tonto, I would just leave the makeup on and go to sleep because it was a four or five hour job; it was, from the waist up, all over me.

I detest jokes - when somebody tells me one, I feel my IQ dropping; the brain cells start to disappear. But something is funny when the person delivering the line doesn't know it's funny or doesn't treat it as a joke. Maybe it comes from a place of truth, or it's a sort of rage against society.

I was the guy who had been bouncing around the film industry for years, and I'd been lucky if five or 10 people would see my movies, so Captain Jack did a big flip for my career.

I started out printing silk screen t-shirts. I sold ink pens. I worked construction. I worked at a gas station. I pumped gas. I was a mechanic for a little bit. I went into sewers, down into sewer lines. I had a lot of somewhat unpleasant gigs for a time there.

I'll take photographs with kids. People who want to take photographs with me. People who like the movies. People who supported me. I'll do that all day, all night, that's fine. But the bombardment of the paparazzi is just... I truly don't understand. It just feels like this kind of gluttonous, horrific sport. It's like sport.

I like the challenge of trying different things and wondering whether it's going to work or whether I'm going to fall flat on my face.

The term 'serious actor' is kind of an oxymoron, isn't it? Like 'Republican party' or 'airplane food.'

I've had the honor and the pleasure and gift of having known Elizabeth Taylor for a number of years. You know, you sit down with her, she slings hash, she sits there and cusses like a sailor, and she's hilarious.

When I auditioned for '21 Jump Street,' it was a last minute thing. I had one of the worst flus that I've ever experienced in my life, and I was forced to go to the audition, the screen test.

Here's the thing - if Donald Trump is elected president of the United States, in a kind of historical way, it's exciting because we will see the actual last president of the United States. It just won't work after that.

Music is still part of my life, but I hate the idea of people coming to see me play the guitar because they've seen me in movies. You want people who are listening to be only interested in the music.

I may have a feather duster down my pants.

I think everybody's nuts.

You use your money to buy privacy because during most of your life you aren't allowed to be normal.

There's a drive in me that won't allow me to do certain things that are easy.

I always wanted to be a character actor rather than the poster boy that they tried to make me 100 years ago. An actor has a degree of responsibility to change for the audience, to give them something new each time, to surprise and not bore them.

Escapism is survival to me.