Young people can be annoying, let's face it. But they can also be really refreshing to be around and full of enthusiasm.

When they're good, I like working with new actors.

One of the reasons people find me a believable actor is that I don't seem like one of the gods from Olympus. I seem like someone who was lucky enough to be let into Olympus.

Oh, absolutely, it felt more serious than your typical job. One of the things that got us through how difficult the shooting actually was was that we are telling a real story.

God forbid you got seasick because there was no option to go back. So that really did force us to be a group.

I like people who are able to keep pushing themselves and challenging themselves even after great success.

One of the unique things is that whether we were out at sea or in the middle of the water tank, a lot of times you just couldn't leave. Especially when we were out at sea.

I kinda taught myself how to play guitar, and I still play to this day. It's become a pretty big part of my life.

I love that people can't place me. They don't know my name. That's 'mission accomplished' in my world.

I really enjoy my time off. If I'm going to go to work, it has to be something I really believe in, or else it's totally tedious.

I'm a big fan of the 'Harry Potter' movies and 'The Lord of the Rings' films.

A lot of times, good improv is when both people, or however many people are in the scene, really have no idea what the next thing you're going to say is.

I swear and it comes off a little angry, no matter how funny I'm trying to do it. If I use certain words with a certain intensity, it's like 'Whoa whoa whoa, buddy buddy!'

It's true that the skills required to be a conman are the same as those required for being an actor. Though those skills are in the service of something a bit more noble with acting, I hope.

Honestly, to tell you the truth, being trapped in any video game sounds like a living nightmare to me. In most video games, the point is it's a fight for survival, so I think it would be a terrifying place to live.

Whenever I work on something, I try and throw everything I have at it. Then if the director finds it useful they use it, and if not, they ignore it!

It's thought of as an eccentric thing for an actor to really try to maintain quality control through the whole career. Most people think, 'You just work. You just keep working.' And in some ways I wish I could be a guy who's just a workhorse.

To me, it doesn't make any sense to pick your work based on the size of the budget of the movie.

You know, the truth is that us actors would all like to believe we re-invent the wheel, every time we play a character. But, we're human beings and our instruments are not violins, they are our bodies and our consciousness and our collective life experience.

There are a lot of actors in the world, there's a small number that actually get to work as actors, and there is a tiny group of actors that are celebrated in the way that I have been. I feel incredibly lucky.

Once you become tagged as anything, it becomes difficult to shake it, because the less imaginative people in the business want you to do what worked for the last guy. That's always been something I've had to deal with.

My family are all storytellers, and I think I inherited a lot more of that gene than other people in my family. I guess I was fun to have around.

I was a founding member of the 'Dungeons and Dragons' club at my high school. I was in chorus, I was in swing choir. I was an outcast but I was an outcast among a group of outcasts.

The truth is that filmmaking is not really an actor's medium; it's really a director's medium, so all I can really control is the character that I'm playing. So I try to look for characters that are interesting and engaging and different than what I've done before and hopefully it becomes a good movie.