Knowledge is not just power - it is control.

We are multiplicities, and none of us live single-identity lives.

I take the time to show up for people in my field who are often not seen and heard in the same capacity as I am. Applauding other women and queer writers of color enables me to recognize and showcase the abundance of talent and work being created.

I don't have to explain anything to trans women. Trans women know exactly what's going on.

Reproductive rights are about body and medical autonomy: our collective and deeply personal right to choose what we want to do to/with our bodies. Trans people and feminists should be building natural alliances here.

I often feel failed by feminism.

It's great to engage with the mainstream media to get messages out, but the most empowering tool is to create records of our lives, and our own images, which are not filtered through judgements, biases, or misunderstandings.

On my road to self-discovery, only certain terms were available - I didn't use 'trans' or 'transgender' until junior high school, but I was living as trans much earlier.

I came out, as not enough of our stories are told from our perspective. 'Marie Claire' was offering the chance to be a part of a women's magazine, which often celebrates ordinary women doing extraordinary things.

As someone who wasn't heavily supported or resourced as a young person when I was going through the hardest times of my life, I'm used to operating outside of systems. The trans movement has always been that way.

I think a lot of people are very interested in why other people are trans or why people are gay.

I just am trans. That's just the way it is. I knew this as a child. But I was told that because I expressed femininity in a boy's body, I needed to be silent about it. To be ashamed. That led to isolation, which then made it easier for me to be prey to a predator in my own home.

We need space to discuss unspoken, uncomfortable dark truths.

I wrote 'Redefining Realness' because not enough of our stories are being told, and I believe we need stories that reflect us so we don't feel so isolated in our apparent 'difference.'

In the evening, I use a cleansing oil - coconut oil also works - to remove makeup.

For me, as an activist and a storyteller, I'm very centered in ensuring that we show the complicatedness of the human experience that happens to be rooted in my community's trans experiences.

Women are so policed and devalued and dehumanized when it comes to the work they do.

If I'm watching 'The Real Housewives of Atlanta,' there's a part of that that's just escapism. I'm not watching it with a political lens, but there is a part of me that certain things trigger and pull up, where I'm like, 'Oh, that was really problematic.'

I still have a YA-genre-series type of a book in me that I really want to tell.

One musical that deeply influenced me - and continues to do so - is the 1997 ABC TV movie of Rodgers and Hammerstein's 'Cinderella,' starring Brandy, with Whitney Houston as the Fairy Godmother and Whoopi Goldberg as the prince's mom.

Movies have always been spaces of refuge for me. For a few harmonious hours, I could escape my reality of being a girl living on the margins.

Curiosity is vital to the growth of our society.

Because trans people are marked as artificial, unnatural, and illegitimate, our bodies and identities are often open to public dissection. Plainly, cisgender folks often take it as their duty to investigate our lives to see if we're real.

There's nothing more mundane than sitting across from a celebrity in a sterile gray conference room. But when the star sitting across from you is Taraji Penda Henson, you are being treated to a master class in the art of the hustle.