Cristiano Ronaldo, Lionel Messi, Zlatan Ibrahimovic and Luis Suarez all play at a really impressive level and are consistently excellent.

Asics shoes are known to be the best in the world and I am sure they will limit some of the injuries that I had before.

People say, 'You slide too much.' I try to change a bit, just to see the difference, and it's very bad. The faster and easier thing is to slide. To me, it's a gift, it's natural. It may be different, but I'm me.

I've been around watch factories and had the chance to visit some factories.

Honestly, I keep believing in myself that I can win a Slam. I am definitely sure I can win one. It's just a matter of putting the pieces in the puzzle.

I'm a competitor so when I need to, I just fly.

Everybody's talking a lot in my ear, so it's tough sometimes. I try to stay with my team in my bubble.

I always ran very fast and jumped very high but when I was about thirteen it was more of a choice between football and tennis, and I went for tennis.

People think that jumping or do trick shot is gifted. Yes, it's gifted but is a lot of work. I won't say I work on the trick shot, but it's like I think physically I'm one of the best.

I think I'm both lucky but also unlucky, because sometimes I miss so many matches.

I'm very competitive.

We start 2016 with a command: that the subject of Pete Rose and the Hall of Fame is over, finis, kaput forever and ever. As sure as we will no longer discuss whether Lindsey Graham or George Pataki can be president.

'SI' came to me and said, 'We want you to do a story on Russell as the greatest team player,' which I certainly agreed with.

Hard as it is to believe, there were three magazines fighting over me. 'Newsweek' wanted to keep me, 'ESPN The Magazine' was coming into existence and wanted me, and 'SI' wanted to bring me back. Isn't that amazing? I had a choice, like a free agent.

I had gone to work for 'Newsweek', left 'Newsweek' and went to work for 'Vanity Fair,' and then went back to 'Newsweek'. I came back to 'SI' as a contract writer.

The NBA Schedule was made up by one man, Eddie Gottlieb, who had owned the Philadelphia Warriors. Eddie had a Buddha-like body and a crinkly smile, and because he had also been an owner in baseball's old Negro leagues, he was known as the Mogul.

Several NBA teams got their best gates every season when they scheduled a doubleheader and booked the Globetrotters and their stooges for the opening game.

It's almost impossible to explain how little the NBA amounted to when I started covering it in 1963. It wasn't fair to call it bush, although everybody did. It was simply small - only nine teams - and insignificant.

I can remember going to see the minor league Orioles. Until I was 15 years old, we'd go down with 3,000 people to watch them play the Syracuse Chiefs or the Jersey City Little Giants. That's what passed for Baltimore sports.

It costs a lot of money to deliver newsprint. It's so much easier to do it through the air, Internet, radio, television. The second easiest thing is to do it through the mail. But when you have to take something heavy and put it on someone's doorstep, that costs a lot of money.

People often lump radio and television together because they are both broadcast mediums. But radio, anyway, and the radio I do for NPR, is much closer to writing than it is to television.

The stories that are most unfamiliar, the ones that seem to come out of the blue about people that aren't well known, usually come from producers that have really done a lot of homework and looked around. Other stories come from the correspondents.

Quickness and momentum. You take the whole last generation of sports, listening to them, even reading about them, watching the games, analyzing them, arguing about them, instant-replaying them, second-guessing them, and all you'll distill from them is quickness and momentum.