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I saw my gender - and myself - as something of a construct. Like anyone who read one too many women studies' books in the 1990s, I aspired to both 'do' and undo my sex.
Alissa Quart
Unnatural constructs - cities and medical pain management - have always seemed pretty good to me.
Even as a child, I had walked down streets reading novels, waiting for my feet to get stuck in tar as I crossed the road, like the absent-minded animal in a Richard Scarry kid's book.
My husband was 50; I was in my late 30s. We had lived adulthoods that did not include infants, except as metaphors. And then, like so many in today's America, we had a baby in later life.
Piercing minds go mute around poetry. It is imagined to be overly technical, like advanced arithmetic; otherworldly, priestess-like; suffocatingly personal; excessively decorative; exhaustingly bourgeois or tiringly avant-garde.
There are caste systems in American cities: Many are marginalized to the edges of urban centers due to real estate costs; price tags seem to lurk around human encounters; there's a cult of overwork in the middle class; workers at your local manicurist, your local fast casual restaurant, are exploited.
Civic poetry offers us a way to think and talk about issues that so much of public speech ignores, to make them new by dissecting and repurposing public speech, prying its falsehoods from its half-truths. It is fighting for its right to critique our would-be democracy.
Civic poetry is public poetry. It is political poetry. It is about the hard stuff of life: money, crime, gender, corporate excess, racial injustice. It gives expression not just to our rites but also to our problems and even our values; these poems are not about rustic vacations.
I'm not one of these anti-TV people.
A lot of the things that bore adults don't bore children, and people forget that. In some ways, boredom is a projection of adults because we can't remember what childhood was like.
Giftedness gives you this amazing tool kit for handling self-discipline and gives you an area of knowledge, but then it also gives you this weird set of aspirations.
I was just a bright, driven kid.
The people who talk about the middle class aren't upholding their interests in the legislature.
One thing we're doing with the Economic Hardship Reporting Project, the nonprofit I direct, is providing financial support to journalists who were formerly middle-class.
I used to teach at the Columbia journalism school, and I would tell my students that every book has to have a sentence that motivates it.
Part of why daycare is so poorly paid is because the sense that they're prisoners of love, that daycare workers love their work so much that they don't need to be paid fairly. It's this sense of, 'Oh well, labor and love are two different things.'
Motherhood gives you access to a range of different intellectual experiences and ways of seeing the world, which, in a way, makes you more flexible in the workplace. But our employers, our colleagues, don't necessarily understand.
There's a motherhood penalty because we've been long taught things that are stigmatized about motherhood. As workers, we don't want to talk about our kids at work. We're afraid to, or that when we leave at 5:30 to relieve the sitter we're somehow going to be diminished.
I think our families or parents were trying to do best by us by telling us, 'Do what you love.' On an existential level, they might have done their best by us, but I think, in terms of the reality principle, maybe less so.
As the world of independent feature filmmaking became increasingly commercialized by the mid-1990s, there was also a parallel, much more positive development: a resurgence in documentary filmmaking, thanks in part to the advent of the cheaper, lighter digital format that helped to offset the daunting costs of pursuing political aims through film.
There are things that neuroscience is useful for in terms of understanding behavior, but there are also things it is not all that useful for, like understanding the nuances of our reactions to poetry.
Neurohumanities offers a way to tap the popular enthusiasm for science and, in part, gin up more funding for humanities.
Uber is hardly the first company to exploit the financial vulnerability of teachers - and the desperation of public schools more broadly - to score PR points. Amazon, Boeing, Bank of America, and other corporations have played the part of school benefactor, offering everything from reward programs to school supplies.
Teaching has always been a poorly paid profession, particularly considering its educational requirements and responsibilities.