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For years, I sort of would try to write a story that somehow fit the title. And I don't think it happened for maybe another four years that I actually thought of a story, the plot of a story that corresponded to that phrase.
Jhumpa Lahiri
I've inherited a sense of that loss from my parents because it was so palpable all the time while I was growing up, the sense of what my parents had sacrificed in moving to the United States, and yet at the same time, building a life here and all that that entailed.
I would not send a first story anywhere. I would give myself time to write a number of stories.
I've seen novels that have grown out of one story in a collection. But it hasn't occurred to me to take any of those stories and build on them. They seem very finished for me, so I don't feel like going back and dredging them up.
I've never had Internet access. Actually, I have looked at things on other people's computers as a bystander. A few times in my life I've opened email accounts, twice actually, but it's something I don't want in my life right now.
The reactions haven't differed; the concerns have been different. When I read for a predominantly Indian audience, there are more questions that are based on issues of identity and representation.
When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.
It's easy to set a story anywhere if you get a good guidebook and get some basic street names, and some descriptions, but, for me, yes, I am indebted to my travels to India for several of the stories.
Writing is so humbling; there's no confidence involved.
Some Indians will come up and say that a story reminded them of something very specific to their experience. Which may or may not be the case for non-Indians.
In graduate school, I decide to write my doctoral thesis on how Italian architecture influenced English playwrights of the seventeenth century. I wonder why certain playwrights decided to set their tragedies, written in English, in Italian palaces.
One week after moving to Rome, I started writing in my diary in Italian.
Oddly, I feel more protected when I write in Italian, even though I'm also more exposed.
If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
I approach writing stories as a recorder. I think of my role as some kind of reporting device - recording and projecting.
You know, since the reviews have come out and people have reacted to it, I've realized that is in a sense what has happened. But as I was writing them, I didn't feel a part of any tradition. I think that would have been too overwhelming, in a sense.
A lot of my personality was informed by feeling very different in the world I grew up in, feeling that I didn't fully belong, that my parents didn't belong.
My father had always dreamed of getting a Ph.D., but certain life circumstances prevented him from following through. It was a tremendous, deep regret. The day I got my Ph.D., I saw in my father's face what it meant that I had done this.