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When you write a show, every character is you to some extent.
Courtney A. Kemp
The Shawshank Redemption' isn't a movie about a black guy and a white guy who become friends - it's a movie about freedom. At the end, the cathartic experience of seeing our own emotions reflected back to us, that's the purpose of storytelling.
When we started on 'Power,' I was committed to respecting the differences among Spanish dialects: Dominican, Nuyorican, Mexican, etc. I wanted the language our characters spoke to be as specific as possible, to reflect New York as it is.
When I first arrived in Los Angeles from New York in 2004 to try to break into television, I couldn't believe how segregated it was - how many neighborhoods were nearly all-white or all-black or -Asian or -Latino.
When it comes to power as it functions between humans, it all comes down to desire. If you know what someone wants, you can control them. It is as simple as that. And the reverse is also true: If you have control over your own desires, no one will ever own you. As humans, we are plagued with desire - it consumes us, it fuels us, it destroys us.
Humans are powerless, and even in our exercise of free will, either the Universe is gonna get down with your plan, or it isn't.
Great power is setting a goal, working hard for it, and achieving it in exactly the way you expected with no consequences and no remainders after the long division is done. But does that happen to anyone? The unexpected always hitches a ride along with everything you planned.
If everyone knows the role they play, and they do their job - executing it well and with enthusiasm - it comes together successfully every time.
Knowing what I don't know helps me every day.
I first became a showrunner at 36 years old. I had no experience doing this job, which is as complicated and multi-faceted as anything I'd ever tried.
There's this idea that you can have it all, but in my opinion, you can't - not if you're a perfectionist.
What I'm about to say won't be popular, but it's true: If being a television showrunner is the job you want, and you are a woman, I would not suggest you have children. The reality is that you just cannot do both well.
50 and I are extremely close, so all that social media drama? It's just for the show.
I knew I wanted to write professionally and get paid.
My dad and his sister, who is no longer with us, used to dance on the streets for money. They had nothing.
My dad was born with no money.
People are realizing that there is a financial consequence to not opening doors. It doesn't mean that they are any more inclusive in their hearts - it means they're more inclusive in their wallets.
'Power' would never have gotten on the air if the folks at Starz weren't saying to themselves, 'This is an underserved audience.' It was a financial decision, not a benevolent decision based on a need to change the industry.
'Power' is not a black show. It's not a white show. It's a New York show.
50 Cent is a brilliant marketer.
I am tired of people using 'diverse' to mean 'of color.' That's not what that word means. 'Diversity' means people of all different races, all together - like a New York City subway.
When you pretend to be an authority on everything, it forces your subordinates to defer to your opinion - which may not be the most informed in the room. If you have humility concerning the gaps in your experience or ability, it allows others to shine.
My dad was very, very invested in image. He felt that as a black person, the thing you could control was how did you look, how did you dress, how did you sound, how did you smell, how did you act. All of that stuff that you could control would absolutely have a strong impact on your access.
I'm from an upper-middle class background. But because there was no one of my race where I grew up, I was very isolated. I felt different from everybody else.