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I cannot remember not being able to read.
Diana Gabaldon
Oh, 'Pandaemonium', by Chris Brookmyre! Just fabulous - such a layered, beautifully structured, engaging, intelligent book. I love all Chris's stuff, but this was remarkable.
I've read a lot of classic literature from assorted cultures, and always glad to read more when one comes across my path - but why be embarrassed by the fact that flesh and blood has limits? Nobody's read everything.
I don't think I ever consciously separated 'school' books from any others; I just read anything that came across my path.
I do recall loving 'All Quiet on the Western Front,' and I know I read it in a schoolroom, but I think I was in the sixth grade at the time, so it probably wasn't assigned reading.
The only thing I knew about novels from a technical point of view was that they should have conflict.
I thought at first that I might write mysteries, but then I said, 'Mysteries have plots, and I'm not sure I can do that yet.'
I was 35, had always wanted to write novels, and thought that I had better do it while I was young enough.
If you donate to a charity and save a few kids, 20 years down the line, there will be more people who exist because of you. In other words, you should consider your actions fully.
I've walked on a lot of battlefields. Most of them are not haunted.
Some time later, long after 'Voyager' was published, I came across the Dunbonnet in another reference, and it gave an expanded version, and it told me the Dunbonnet's name - which was James Fraser.
If you want to know anything about me, read my books - it's all there.
I discovered that, given the indescribable nature of what I write, the only way to sell it is to give people free samples.
Eight was about the age I was when I realized that people actually produced books, they didn't just spring out of the library shelves.
My husband gets up at around 5.30 A.M., so I'll tuck him in around 9.30 P.M. or 10 P.M., and then I'll go and lie down on the couch with a book and my two dachshunds.
If nobody needs me - and usually, these days, they don't - I'll fall asleep until around midnight. Then I go upstairs and work until 4 A.M., and that's when I go back to bed for good. It suits me.
There are always people screeching and upset that I did this or didn't do that. Basically, they're upset that I didn't rewrite an earlier book they particularly liked.
If you're going to write time travel stories, you have to sort of figure out how does time travel work in this particular universe that I'm dealing with.
Orkney has the kind of landscape that sort of lends itself to a relationship with the people. I think that relationship is intensified because of its remoteness and the long periods of time when there was no interaction with other cultures.
We started watching 'Doctor Who' as a family because our first daughter was a cranky baby, and she would get up during the night - and it was her dad's job to stay up because I worked at night.
I hated 'The Lovely Bones'. I thought her vision of Heaven was amazingly uninspired and very depressing. The book was just tedious.
My husband asked me once why I read so many mysteries, and part of it is just intellectual, part of it is the joy of any good book, but part of it is the moral stakes there.
My mother taught me to read in part by reading me Walt Disney comics, and I never stopped.
I took to saying, 'Look, tell you what: Pick it up; open it anywhere. Read three pages. If you can put it down again, I'll pay you a dollar. So I never lost any money on that bet, but I sold a lot of books.