QUOTES by Jonas Blue
Find most favourite and famour Authors from A.A Milne to Zoe Kravitz.
I prank my manager. I tell him I've lost my passport, or I've lost my case, or I hide his case. He is so gullible, he is the most gullible person ever.
Quote by -Jonas Blue
Especially when I finish one of my songs I play it to my friends who are just normal people and not people in the music business.
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I buy new white tees pretty much every week because they fade and I like them super fresh.
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I played the Azteca Stadium in Mexico to 100,000 people - that's something I never thought I'd do.
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Before I hit any country I always do my research. I look at what's on the chart there, what's worked in the last few years. As a deejay, as a producer, that's when I get editing. I bring my own edits of tracks that are really cool and happening out there.
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Abbey Road was actually one of the first studios I ever got the chance to go to. A friend of mine won a competition and got the chance to spend a day recording there - that's when I was around 15 - and I was the only one who could engineer out of all of us.
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My mates are absolute nutters. They're all Essex boys in the true sense and they definitely keep my feet on the ground.
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I've always wanted to collaborate with Shawn Mendes, he's an amazing artist, but the thing with Shawn is that I won't collaborate... me just sending some beats. It has to be in the studio where we'd both be there recording together.
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I think when 'Perfect Strangers' landed and was so well received, it was a magic moment.
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At times, for sure, I do love a party. However, I do love going back to my room and putting on 'Only Fools And Horses' and having a cup of tea.
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Albums are great but for an artist like me, I don't think albums are the way to go.
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I like releasing singles because I can get them out there quickly and it's based on the changes, the sounds that are going on all around the world that I'm hearing and just a whole different bunch of influences which is sometimes hard to get across on an album because it can take a few months or a year to come along.
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At the age of 12, I got free pieces of software in a box of cereal which allowed me to make music, like really early demos, and then I just never looked back.
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Obviously the music I listened to growing up helped create my musical pallet. My parents were into pop, soul, disco, RNB, Latin, jazz and Middle Eastern music.
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I've got a lot of girl mates. Especially when you come to Ibiza and you're an Ibiza DJ, everyone comes out and they want to see you.
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I love the idea of Pro Tools, but it doesn't seem as attractive to me in terms of the music-making side. It's great for recording, but with Logic you get the best of both worlds, the ability to do great tracking and producing something that sounds great as well.
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I think some people have this thing where just because you do singles that means you're not a real artist. It's like hold on a minute - I'm selling millions of records here and been streamed billions of times... How can I not be taken as a real artist just because these songs are singles?
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A mixer for me needs to have some sort of effects, as it's a big part of how I might hype up the crowd in certain parts of a track, using the delays and filters for instance.
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I think the best thing about performing as producer is to hear the fans sing along with your tunes.
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Sometimes what makes a great song is that bittersweet combination - a really heartfelt song, whether good or bad, mixed with something that gets you going.
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Even when I'm travelling - which is when I do most of my writing - I have a little portable keyboard.
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The concept of 'Blue' is to transport its listeners to a different world with music. And I chose to release a full-length album because it enables me to experiment with many different production styles, not just a single sound, and take listeners on a journey.
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There's a lot of amazing women out there. There's a lot of hot models. But models are the worst, because they're models, you have to always step up and always look good.
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Well after 'Fast Car' was so huge, everyone was asking me, 'What's the next song?' At the time I just had ideas I was working on, but it was very clear I needed to finish another song ASAP, and that's how 'Perfect Strangers' came about.
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I've always worked from a young age and was never big on drinking or smoking, so whatever money I had I put into synths.
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It's the worst feeling, going into your record label when you haven't got a hit. It was like: 'Maybe you've lost it.' And, once you're done, that's it. There's no support, or anyone to help you.
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It's great to see Latino music coming to the mainstream, but at the same time, there are also a lot more styles to explore: African music, Indian music, Chinese music.
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I've gone through a lot of 'nos' from record labels but I've built a great team along the way and that's the best thing you can have - people around you who believe in you and drive you forward.
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I was a bit of a hot head when I was younger so I used to burn a lot of bridges.
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I'm a songwriter and producer, so I'm always wanting to make my own stuff, and not use anybody else's.
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I come from the streaming world, so the changing trend of consuming music that way is positive for me.
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I got into DJing because that was the coolest thing to do and I've never looked back.
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It's definitely hard to have relationships. When your life moves so quickly, people generally want replies on messenger apps and sometimes I don't get back to people for two or three weeks.
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When I was seven years old I played the flute, then by 11 I quit being a musician and got into Djing.
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