Yeah, improvising only really works 100% when you're with somebody.

A lot of times I think people, when they're doing a movie that's a family movie, they're worried about this being too esoteric or too dark or too weird.

I remember seeing 'Spinal Tap' at a young age and being like, 'That's how you perform comedy.'

I moved out to L.A. to be a filmmaker or director. I didn't even think about doing comedy or even acting. I wanted to be like Paul Thomas Anderson or Wes Anderson, but I wasn't going to a lot of comedy.

I took Second City out of desperation, and that's what ended up working out. It shows that you should be doing a lot of different stuff, taking whatever opportunities are there, to see what works.

Fred Armisen does a pretty good me.

I don't think I could do what Woody Allen or Clint Eastwood or Ben Stiller do, where they direct a movie and they star in it. I would just be like, 'Oh, I don't even want to look at my face.'

To be totally honest? I don't know if I'll keep doing more impressions. People told me I had a facility for it, and I was like, 'Okay, I'm the impression guy.' So you imagine the cast at 'SNL' is an A-Team, and you've got the explosives guy, and I'm the impression guy.

When it comes to comedy, it might be interesting to know why an airplane works, but really? Maybe it's better not to know why certain things work. Just fly the thing, and if nothing falls apart, you'll be fine.