I was barely 17 when our father decided to part ways with my mother.

There is a host of directors - Sujoy Ghosh, Neeraj Pandey, Ashutosh Gowariker, Madhur Bhandarkar, Mani Ratnam and so on - who make some great cinema. I would like to work with them all.

As children we had traveled only in cars and led a lavish lifestyle. After father and we parted ways, we had little money to afford even petrol; I used to travel to the Tollygunge studios in the south of the city from our Dumdum home in the north by bus. I would do any role that came my way: hero's friend, or brother, or son, just about anything.

Cinematically, anything like 'Khawto' in Bengali cinema hasn't happened. Yes, you get such films in Hollywood, a few in Bombay. In Bengali literature, you get such stories in the works of Samaresh Basu and Buddhadeb Guha.

Everyone has their own way of telling stories.

Everywhere I go today, people talk about Bengali cinema. I completely refuse to accept that Bengali filmmakers are not making good films.

With excessive digitisation, now, everyone is making films, which is good, but the makers think that they will quickly make films in digital and bag satellite rights but television channels buy satellite rights of notable films only. If we made fewer films a year, percentage of hits would be better.

When I started my career, I was faced with a challenge of making my own identity.

I am open to do a Telugu, Tamil or Malayali movie. If I get a good script and good character, I will surely do it.