I do come alive in front of a camera. The first video I ever made was a formative moment for me.

It's a natural disposition for me to become muse-like in a relationship.

I found my style in my aunt's attic. She hoarded all her '60s clothes there, along with the tiaras she'd won as a beauty queen, and I'd steal her wedding dress to wear around town.

I don't like to work with stylists - I find the relationship too intimidating - but I love fashion.

Fashion in the mid-'90s was too easy. Artistic culture was very earnest, so I was flamboyant and dangerous. I wanted to be seen as more than an outline, so I used fashion to say that for me.

I love performance, but I'm quite happy making videos as well, and I'm inordinately happy writing songs.

With Moloko, we tried to be the opposite of what was out there at the time. I like to be different. In the mid-Nineties, music was quite dour and serious, and everything was dressed down. So we went the other way. Our first record was about not wanting to do four-to-the-floor dance music.

I don't think Ireland has really embraced me, but it is not really for me to say. Obviously, people shouldn't embrace me just because I'm Irish, but it is where I'm from. I'm extremely proud to be Irish.

When I go home, I go to my house in the countryside. I don't hang out in Dublin. I go home to be with my family and have a rest and so on. I don't know anything about the Irish music scene, and I've never felt part of it.