Follow, follow the sun, and which way the wind blows, when this day is done. Breathe, breathe in the air. Set your intentions. Dream with care.

Do what you will while you're able, find what it is that you seek.

Most of my instruments are handmade.

Yidaki didgeridoo has been used in every part of Australian regional culture, all around the country. It's become a message stick for the survival of those people, for aboriginal people and aboriginal culture.

Surf culture and surfing for me are two completely different things. Surf culture has become very - it's a very commercial, competitive thing, fashionable. With all due respect to the 'Surfer Dude' movie, I think the 'Surfer Dude' movie reflects that, reflects what surfing's become, but I come from a place where the surf industry began.

My first instrument was my voice. I was always singing and writing melodies when I was a little kid. I just sort of taught myself whatever was around. If there were instruments around, I'd play them. I always liked the idea of not being shown but coming up with my own energetic connection to the instrument.

Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.

I feel my live shows are my music; everything blossoms from the live shows.

It's kind of like some kind of church for me, playing live. Each show, good people from different pockets of the world come and open their soul and let their spirits mingle and dance. That energy comes up through me, and all I do is channel it; it's like a circular motion and very sacred.