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Movies such as 'Mr. Smith Goes to Washington' in 1939 to 'Dave' in 1993 portray Washington leaders as the ultimate Everymen - decent people just like you and me, only thrust onto greatness.
Ron Fournier
In Washington, compromise has become a dirty word.
One of Obama's most impressive attributes is his quiet confidence: Voters sense that he is comfortable in his own skin, a dedicated father and friend who won't waste time with the phony rituals of Washington.
The 2016 presidential election is ripe for the emergence of a game-changing political leader who either dramatically reforms one of the existing parties or mounts an independent bid.
If acknowledging that racial misgivings and misunderstandings are still a part of politics and life in America, I plead guilty.
Barack Obama won a second term but no mandate. Thanks in part to his own small-bore and brutish campaign, victory guarantees the president nothing more than the headache of building consensus in a gridlocked capital on behalf of a polarized public.
Obama is capable - as evidenced by his first-term success with health care reform. But mandate-building requires humility, a trait not easily associated with him.
Obama ran a hard-edged and negative campaign against Romney, hoping to convince recession-weary voters that his rival was unworthy of the job.
If history is a guide, a victory for Obama means he faces the prospect of a second term dogged by scandal or inertia.
Every now and then, a presidential candidate surprises us with a truly human and honest moment.
Secretary of State Hillary Rodham Clinton is the most influential woman in Washington - for what she has accomplished and for what she may yet do: win the presidency.
Voters don't have to love him, Romney advisers say, but they will respect him.
Republicans would have preferred the court overturn the health care bill, an act that would have underscored Obama's biggest liability - the perception among voters, including those who like and trust him, that he has been ineffective.
Political consultants are pugilists, masters in the dark art of negativity. Which is why it's surprising to hear Democrats such as Steve McMahon and Republicans like Rich Galen urging their presidential candidates to be more, well, positive.
Obama shows no sign of easing up on negativity.
President George W. Bush won reelection in 2004 largely because he was seen as comfortable in his own skin, while rival John Kerry was viewed as a flip-flopping opportunist.
Don't underestimate questions from the crowd; technology has made voters more informed than ever.
A dose of humility goes a long way in life and in politics.
Political reporters and political professionals rushed to judgment against Romney because we crave clear, unambiguous story lines.
Shock, confusion, fear, anger, grief, and defiance. On Sept. 11, 2001, and for the three days following the worst terrorist attack on U.S. soil, President George W. Bush led with raw emotion that reflected the public's whipsawing stages of acceptance.
Say what you want to say about the rest of his presidency, including his tone-deaf response to Katrina and a war waged in Iraq on false pretenses, Bush connected with Americans in the aftermath of 9/11 because he looked as frail and unforgiving as we felt.
Obama still has work to do with the vision thing. Convincing voters that he has a credible, practical plan to turn the nation around is a process, not a speech.
The problem, gentlemen, is that Obama is right: The promise of upward mobility is dying in America, and no amount of political demagoguery will fix it.
For a man who has compared himself to Theodore Roosevelt and the nation's challenges to those of the Gilded Age, Obama put forward a tepid agenda.
Don't kid yourself. President Obama's decision to withdraw 33,000 troops from Afghanistan before he stands for reelection is not driven by the United States' 'position of strength' in the war zone as much as it is by grim economic and political realities at home.
White House operatives went to great lengths to show Obama shifting focus from wars abroad to domestic issues at home.
President Obama is casting his lot in the middle of a debate as old as America itself: Are we rugged individualists pulling ourselves up by the bootstraps? Or are we a nation of community, all connected and counting on one another?
Most political journalists come to Washington because they're snappy writers, big thinkers, or news breakers. Me? My ticket to the big leagues had little to do with talent. It was mostly about the governor I was covering, Bill Clinton.
AP promoted me to the White House beat because I knew Clinton, his family, friends, and staff better than anybody in the national press corps. Those contacts helped me break a few stories and get my career in Washington jump-started.
Election night is the easiest time to act like a grownup.
Most Tea Party activists consider Obama a big-spending liberal. Some even question his eligibility to be president.
Barack Obama may have found the answer to his biggest rhetorical challenge: When millions of voters are unemployed or underemployed, how does a president simultaneously sound realistic and optimistic?
The deck is stacked against Obama.
I've been leading newsrooms for a while now and it's been an honor serving as Editor in Chief of N.J., but I really think that my best shot at moving the needle in politics is by getting close to it - by reading, reporting, tweeting and writing.
I've worked with Bette Davis, John Wayne, Jimmy Stewart, Henry Fonda. Here's the thing they all have in common: They all, even in their 70s, worked a little harder than everyone else.
Ron Howard
When you're young and you're striving, it's all uphill, and it's easier to climb. Then, when you get and look around, you sort of say, 'Wow, the altitude's kinda thin up here!'
I think it's in our nature to try to get beyond that next horizon. I think that when we, as a species, are scratching that itch, we're actually following an evolutionary compulsion that is wired into us. I think good things come of it.
I would do a documentary about Jay-Z. Yes, I would.
I love leaving the door open to good ideas. I love the collaborative swirl. I get charged by problem-solving, usually under some kind of stress - the sun is going down, and we have eight minutes, and we have to solve it. Great things come out of it.
I have a grandson who's both really interested in art and all things mechanical, so I think he'll get a huge kick out of 'Apollo 13' someday. And I think my granddaughters will enjoy 'Splash.'
I didn't really listen to music when I was doing homework or when I - when I work on a script. I tend to drift to NPR and news.
I do really like serio-comic movies that treat real difficulties in a real way.
It was always my dream to be a director. A lot of it had to do with controlling my own destiny, because as a young actor you feel at everyone's disposal. But I wanted to become a leader in the business.
I don't look ahead to the future as a vast, endless one. I've begun to feel the calendar pages turning.
When 'Apollo 13' appeared as an opportunity and I began to tackle that in as authentic a way as I possibly could, I really became enthralled by the philosophical side of space travel and why we need to explore - what it means to us here on Earth - all of those things. I became a huge proponent.
Imagine if the people who have lived and learned still had the vitality to act upon the hard learned lessons - and not just share in a conversation, but lead.
There's something rare and wonderful that's very particular to television, and it's when a great cast meets a great show runner/creator with the right set of characters to play. That's what happened with 'Arrested Development.' It happens every so often, but all too rarely on TV.
For my 10th birthday, what I wanted was Beatle boots and a Beatle wig. My parents couldn't find Beatle boots, but down at the dime store, Woolworths or someplace, they found a Beatle wig!
There are creative benefits to getting older.
I was a Beach Boys guy, but I was won over. In '64, as the radio stations were creating this duel between The Beatles and The Beach Boys, I slowly but surely got won over by the Mop Tops.