If I get a chance to write a comic book or do a voice in an Adult Swim show, I do it. It's much more fulfilling to me and I get to work with people who I'm a fan of.

I'm a huge fan of Simon Pegg and Nick Frost.

Sometimes you're working with somebody, and you can tell they're just waiting to say their line.

Before you get to 'SNL,' you have your own sensibility. And when you get to 'SNL,' it's the show's sensibility.

'Superbad' was such a personal movie.

There's a movie called 'Pod People' that has a weird little anteater alien. That was a good alien.

Seth Meyers and I wrote a 'Spider-Man' comic.

I've never met Charlie Sheen.

When you saw Jon Lovitz or Dana Carvey or Phil Hartman doing something, they were acting. It was real acting. Like, they were acting like that person. They weren't like - it wasn't even like they were really trying to go for a laugh, especially in Phil Hartman's case.

I remember I could do - I did Bart Simpson once on the bus. I did, like, a really good Bart Simpson voice on the bus, obviously before I hit puberty. And everybody went, 'Whoa, that sounds just like Bart Simpson.'

I - at the table reads, I break constantly. If something is up there that I'm not expecting, I tend to - I can't help myself; I'll start laughing.

I was in a sketch group in L.A., and we were playing, like, backyards in Glendale and stuff. It was pretty ugly because we didn't have any money.

The whole thing with animated movies is that it's very hard to get out of your head because it's very moving through each line systematically.

In 'Winter's Bone,' it's literally the director and the camera operator. That's it. Just a super-small Kubrick crew. You know what I mean? Like, 8 people.

Las Vegas, New Mexico has had a lot of great movies shot there.

In the U.S., it's like, you start with a great script, and then on set - not everybody, but definitely in the Apatow group - you go off, and you're improvising on camera. So while you're on camera, you're saying things that no one else has ever heard before during the actual take.

Let's face it: I look pretty out of shape.

There are some really funny women at 'SNL,' man.

When 'MacGruber' came out, David Wain was one of the first people who publicly championed it.

'The State' was a huge thing for me. I watched that and 'SNL' together when I was 15, 16.

My wife and I were on our honeymoon in Turks and Caicos, in the middle of nowhere, and I'm sitting on this deserted beach, and I see one lone person walking along the shore. He walks right up to me and says, 'I love 'Laser Cats,' and then just walks away.

I like doing a lot of research, and then you get there, you're in wardrobe, and then you're just reacting to what the other person is doing. The other actor is reacting to what you're doing, and it's this great back and forth. Because you've done all this research, you can use some of it or throw a lot of it out. You can get lost in it.

I would say it wasn't until my fourth season on 'SNL' where people or my agent was saying, 'You're an actor.' I never thought of it that way.

When you're performing, you're playing to the back row. With acting, you have to be more nuanced.