I'm not into the attention thing so much.

I just want to write another record that's as good or better than the one I've already made. That's my main goal, to follow up stronger than before.

I want to keep Flume kind of experimental, weird, melodic, pretty.

I could do another tour, make a record that's very similar, do similar venues. Or I could make a different record, do different venues, and grow. It's exciting to take it to new places, but it's never been my intent to be the biggest thing in the world. That's not what my drive is. I want to make what I want to make, and make a living off it.

To me, skin is alien and kind of weird; it weirds me out. It's strange, but it's also really intimate and personal; it's living, organic. That's how I want the music to sound; I want it to feel alien and strange, but also like it's got a heartbeat, like it's got a soul, like it's not made by a robot.

I don't think I can name any names or anything, but this is what I've wanted to do for a long time: to have Flume as my creative outlet and to work on the biggest songs in the world, like pop, and come up with the idea and send it off.

I've never worked with huge pop acts, I mightn't like it, but it's something I've always wanted to try.

I've been having meetings with people, just everywhere in the world, and it's like, 'Hey, really love you to work with me, send me some ideas.' That's the crazy part.

Probably the No. 1 most important thing in my music is not to sound like anyone else. It is hard in this day and age.

I was delivering papers when I was, like, 10 or 11, and I'd always daydream about being an artist as a full-time thing.

I get bored of music really easily, so I always try and make music that makes sense, but then it's just a little bit wrong.

I never expected to make a lot of money from music.

I just want to try writing for other people 'cause it's quite exciting.

I want to make music that is completely electronic but doesn't feel it.

For me, one of the downfalls of electronic music is that it can feel a little soulless or robotic.

This life and this job and this position that I'm put in, it forces you to grow up quick. I definitely got dropped in the deep end.

Making sounds that literally no one has ever heard before because the software and the technology's never been there, and pairing that with great songwriting, then that's what's exciting for me. That's what I wanna do.

I've grown up by the beach all my life, and I almost get anxiety if I haven't been swimming for a couple weeks or a month. It kind of builds up, so I try and get out as much as possible.

I always regret leaving home if I don't get at least four or five surfs in the week before I leave. I try to be in the water as much as possible before leaving, and it's the one thing I miss massively.

I've never been one to want to be the center of attention and be put up on stages every night. That's just not really my personality. I'm comfortable with it now, but my real passion is being creative.

I feel like I've got a pretty good presence online through Instagram and Facebook. I just keep it simple.

To me it's all about textures, and that's the side of music that I'm finding really exciting. I feel like it's one of the only parts of music that mankind hasn't fully discovered yet.

My parents used to play me this album when I couldn't go to sleep. It was called 'Deep Forest.' I think it was a self-titled record. It's actually still one of my favorite albums of all time.

I had an idea when I was 18 or 19 to start tutoring people, like the way that people get tutored in saxophone or guitar, but for production. I really enjoyed it, but I don't have time for that any more.