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A person supporting [Donald]Trump likes Trump. And I think they would say the same about me.
George Saunders
Whenever you talk about writing I think you have to remember that it all has a big question mark over it - every word has a big question mark over it.
I always cheerfully say, "Well, you know, the species is adapting, and whatever it needs to do, it'll do," but I do think it's maybe a little bit alarming. Everybody knows that one thing we really have to do is to be more wherever we are, more present, that's just kind of a commonplace. And the whole mobile phone thing is completely 100% the opposite - to never be where you are because you can always be somewhere else; and yet it's so fun and addictive.
The writer has to make pleasure for the reader - which, I think, is done by taking one's character's seriously and taking one's readers seriously -don't condescend or try to be tricky. Be a friend to your reader - I'd say that's a pretty good first step.
I have been married to my wife, Paula, for 25 years. We have wonderful kids. Things are - it's been a really rich life, so I started thinking, is there a way to get valence a little more into the stories, the idea that, yes, things can go wrong, but also they can go right.
I love the idea that more people would read short fiction. I think it's such a humanizing form. It softens the boundaries between people.
I'm not thinking much about overall themes or preoccupations or anything like that. Instead I'm just trusting that, if I'm working hard, various notions and riffs and motifs and so on are very naturally suffusing the stories and the resulting book.
I think even like Saddam Hussein or Hitler would wake up and say, "I think it's going to be a good day. I'm gonna do some really important work." And given their definition of good, they went out and did horrible things.
I think it was a big revelation to me earlier in my life that people who appear to be evil are actually not. In other words, nobody wakes up in the morning and says, "Yuck, yuck, yuck, I'm gonna be evil."
I think the trick of being a writer is to basically put your cards out there all the time and be willing to be as in the dark about what happens next as your reader would be at that time.
I think kindness is a sort of gateway virtue - having that simple aspiration can get you into deep water very quickly - in a good way.
I think it's basically the same game, although with a public figure like [Donald] Trump I think you are bound to consider the public persona rather than the private one. At least that was the case with that piece of writing.
I sometimes imagine a great writer as a sort of God-surrogate: the writer is doing his or her human-best to emulate what God might think of is, if God was inclined to observe some human beings and present their activities in the form of a narrative.
If you think of a work of fiction as a kind of scale model of the world, then the positive valences - where things turn out better than you thought they would - ought to be in there somewhere, too.
I often think about image, and image is something that - but in truth, the real artistic process, as I've understood it, is 95 percent intuitive, like seat-of-the-pants, at-the-moment decisions that you can't even explain, you know?
I think in our time, you know, so much of the information we get is pre-polarized. Fiction has a way of reminding us that we actually are very similar in our emotions and our neurology and our desires and our fears, so I think it's a nice way to neutralize that polarization.
I started out in engineering. I was a geophysical engineer. Throughout the course of my life I've done a lot of strange jobs, and the effect has been to make me think a little more skeptically about our capitalist society.
Sometimes I think fiction exists to model the way God might think of us, if God had the time and inclination to do so.
I'm always aware of writing around things I can't do, and I've come to think that that's actually what 'style' is - an avoidance of your deficiencies.
I was a big and un-ironic fan of Dear Abby when I was a kid in Chicago. I think I sort of internalized her. So I have this inner Abby: cranky, proper, folksy yet scathing, with a beehive hairdo. But that's my issue.
I think fiction isn't so good at being for or against things in general - the rhetorical argument a short story can make is only actualized by the accretion of particular details, and the specificity of these details renders whatever conclusions the story reaches invalid for wider application.
The artist's job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn't damaged in the process, and may even get heightened or refined.
The deadening part of Bible study is when you think you've already got it all figured out.
Philip Yancey
Forgiveness is the only way to break the cycle of blame-and pain-in a relationship...It does not settle all questions of blame and justice and fairness...But it does allow relationships to start over. In that way, said Solzhenitsyn, we differ from all animals. It is not our capacity to think that makes us different, but our capacity to repent, and to forgive.