I think I'm a boxer, but then when I get hurt, I'll start scrapping.

I always look for good stories and good characters, and if they're placed in a whodunit, then I'm interested.

Sometimes if you start a relationship when you're young, you're not as fully developed as a person. You need a relationship that lets you develop in different ways. You need to bounce off different people.

When it's a moral grey zone, the audience has to think about what they feel and what they think is right or wrong. You want to affect your audience and make them think.

We retell our favorite stories. That's what we've done since we were sitting around campfires. It's a part of the human spirit. It doesn't have to be negative to creativity. It can be completely opposite. That's how you can break new ground: by rethinking something that's already been done.

In the first test screening of 'RoboCop,' it tested very high. Then they asked the people why they liked it, and the first answer was, 'I liked it because it was political.' And the second answer was because, 'It feels like it deals with current affairs.' And the third answer was, 'Because it feels emotional.'

I usually have pretty good intuition on projects that I work on.

I'm a pretty light and light-spirited person; I'm not a depressed guy.

I think I've seen the first 'RoboCop' like 15 or 20 times. I'm like a kid that way.

As actors, we're like these vagabond artists: we have to be invited to perform, so if you don't have a choice of options, it's very hard to define yourself.

It's so scary to go on stage. I used to throw up before I went on stage, every time.

I'm a pretty good chess player.

I miss the Swedish women on the first day of spring cause they all just blossom in the most incredible way.

When I first came to the States, I thought I had a perfect American accent, and then I was abruptly becoming aware that it wasn't. So I did have to work on it a little bit, but I was hesitant working on it because I thought it was good.

In most scripts, one or two characters have a lot of colors.

We're all a big hippie family so I got five sisters and a bunch of different mothers. Not really, but my sisters' mothers are all good friends with my mother. We're a big family, 25 people.

I grew up in a working class neighborhood in Sweden, which, during my teens, gentrified and is now completely middle class and even upper middle class.

For somebody in my neighborhood to aspire or revere a person from the upper class, that is the most ugly and pathetic behavior you could exhibit.

In Sweden, I went to an English school, where there was a mishmash of people from all over the world. Some were diplomatic kids with a lot of money, some were ghetto kids who came up from the suburbs, and I grew up in between. There's a community of second generation immigrants, and I became part of that because I had an American father.

Being an actor in movies is a lot about the power of your imagination and making the circumstance real to you so the audience will feel that it's real.

I always identified myself as non-Swedish. I was never discriminated against, because I looked Swedish and speak without an accent. But I had an outsider's perspective.

I went to high school in Texas for one year, my senior year. My parents wanted me to get out of Stockholm because I was running with the wrong crew. They wanted me to get back to my roots.

I'm a physical actor in that I start with a physical sketch of the character. I find it easier to find inspiration from the outside in. If I find the character's tensions and the way he carries himself or looks, that's going to affect how I talk. So that's how I start to create that person.

I would like to be able to do as many of my own stunts where I can.