If you see a person who's insecure and covers it up, it can be quite a problem. But the person who is insecure and shows you is quite appealing. They give you just the courage to drop your defenses.

The secret of using makeup for fashion is to have fun with it. When people see that you are playful, that's attractive. Sometimes people apply makeup because they have bags under their eyes or because they don't feel good, and that just reads 'insecure.'

Maybe there's some kind of modeling that can be tedious, like catalogue modeling, but there's a kind of modeling, with runways or working with Richard Avedon, that's not very far from acting. Besides the fact that you don't have a partner to react to, the body language is the same.

The problem with middle age, at least when it comes to modeling, is you seldom see a model who is past 27, 28. If they use anyone older, then it becomes automatically a 'personality' story.

I think I was always interested in animals. If a man likes a woman, you know, he might discuss business, but there's a part of his brain that is looking at the girl coming in and checking the girls. I do the same with animals.

That is the great pleasure of working with great directors. You get to look at the world through many different prisms. I guess I love talent, whatever form it takes.

I am the daughter of Mr. Neo-realism: I should gravitate towards narrative simply told, character, the truth. And I do love those movies.

I don't look at 'Vogue' to ask what I'm going to wear. Because it's something on a body too young. I have to look at the social pages to see women my age. To see how Amanda Burden is dressed and say, 'Hmmm. Maybe I should try that.'

By the time I was successful with covers of 'Vogue' and 'Harper's Bazaar' and 'Vanity Fair' and the Lancome contract, someone asked how old I was. They almost fainted when I said 33.

Most people divorce because one in the couple falls in love with someone else: it's a common cause of divorce. I still think that it's tinted - this is my opinion - with a veil of racism and American puritanism.

When I was young, it was difficult to imagine entering a world where my parents succeeded so much and I could have risked failing. It would have felt much harder.

Once I realised that my job as a model was to emote in front of the camera, I thought, 'Well now, I just have to add words, and I can do films.' But also, my success as a model made me more confident about becoming an actress because, just in case I failed, I thought, 'Well, you know, if I failed as an actress, I can do another job.'

I live in New York, and the only live animals you see are cockroaches, rats and pigeons, which I admire immensely. When I see an animal that thrives in the garbage, I feel relief; in our urban environment, other animals are dying out.

I've always been interested in animal behavior, and I keep reading about it because it's so surprising all the time - so many things are happening around us that we neglect to look at. Part of the passion I have for biology is based on this wonderment.

I grew up in a family of filmmakers, so I always wanted to make films about animals, especially comical films. Something about animals amuses me. And they have a great mystery. It's the same mystique some people might feel looking at the stars or the ocean.

My films are comical films. They are made to laugh at. They are comical - and scientifically correct.

I always say that in my career as an actress, I've always worked with people like David Lynch or Guy Maddin or Peter Weir who are considered not mainstream directors and that could be because they are like my dad. They are pioneers, and pioneers, by definition, invent something new.

My perfume, Manifesto, was based on the scent of basil.

I'd love to meet Darwin. He caused such controversy over whether God created the earth in six days or whether we evolved over time. I'd love to discuss that with him - what a fantastic conversation!

It's nice to go and be a guest on a television sitcom. It pays well; it's easy because generally it's a supporting role, so you go, you do two or three things, you're in touch with people there. They're widely popular, so they're seen by many people.

Every time you work, it's a new film, and generally when you work with auteurs, people that write and direct their films, there's always an originality.

As I grew older, I worked less as an actor and as a model, and I went back to what I had tried to do when I was young but wasn't really available. I'm so glad now to be in my sixties and to be able to go back to school.

I've always been an entertainer all my life; I come from a family of entertainers. I always made, very pretentiously, a comparison with Agatha Christie. Her inspiration was crime, and I'm sure she must have taken courses or read about crime, because it was the basis of her stories. But ultimately, it was her own fantasy.

I graduated from Academy of Fashion and Costume Design in Rome. At first, I thought I was going to be a costume designer for films, and then I ended up working in fashion - not as a designer, but mostly as a model.