I think you approach a part the same way and just find out in what's making them tick and who they are. In a movie like this you may have a little less time and few dialogue scenes and exposition scenes for your character to really get that across, and so I wanted to be able to convey that she's not somebody who's just punching a clock but she has this weird emotional investment in her job to where she does get quite myopic and that's what makes her relentless.
It's frightening enough with a male actor and not a stunt person. If you accidently punch him with the wrong hand, then you've cost them a week's work and they've got a black eye or a lot of money goes on CG to get rid of it. That was nerve wracking, but it was very civilized. Women tend to immediately take responsibility if somebody messes up with both of us saying it's our fault. Men are quite happy for it to be your fault it seems like.
I'd like to have finally answered the anorexic question so profoundly and definitively, that would be the end of it. The only reason I ever brought it up in the first place is because when I was young, I read a lot of misinformation about eating disorders. But because I picked the wrong magazine to tell my story to, I wished I'd never said anything. It was totally sensationalized and that's been a real drag. I felt terribly violated.
I do find it extraordinary that men are so prepared to pay for your dinner here. That simply never happens in England. When I first got together with Len, I couldn't understand why it seemed like he was always trying to get into my side of the car. He was holding the door open for me! I don't know what you teach American men in school here, but you have to keep it up, because it's extremely charming.
I quite fancy having a hover car, but I don't fancy everyone having one. Because I feel like I spend quite a lot of time stuck in traffic on the 405 but if everybody had one then they'd be scared and we'd crash, but if it was just me, then I think I would zoom home quite fast. I also quite fancy a phone attached to my hand but then I don't know if I fancy it being stuck to my body.
What's considered ideal in Hollywood is completely different than anywhere else in the world. I don't think you can aspire to it, nor can I. Everybody is retouched, stretched, lengthened, slimmed and trimmed. I could look at a picture of myself from the past and think, 'Why don't I look like that now?' It's because I never have!
My daughter comes with me everywhere. I don't leave her behind. But it is hard. I mean, I think any working mother will tell you that what kind of falls by the wayside, you know, are the hours of sleep that you wish you had, and all that. I feel incredibly lucky and blessed, but I do sometimes feel like that exorcist lady!
When I first started working, I was very aware of the fact that I'd been to university and studied Russian and French and not acting. So when I started working, I'd started working quite young, I felt like it was important to treat myself kind of like an apprentice and do as many different types of things as I could.
When I was pregnant, everyone told me you're going to be one of those women with a little football in front. And then this...thing, this Scooby-Doo monster belly arrived. I gained 65 pounds. Every single part of my body was thicker - even my scalp! But that's the advantage of being young - it went right back.