I come from a time when every kid dressed up. Everybody. If you didn't, you wouldn't be able to hang out. It was very tribal. There's nice things in that. It's culture; it's roots for me.

I've bought clothes based on record covers. Particularly from the formative music that turned me onto it in the first place when I was a kid, with the Beatles and the Small Faces. A lot of those Sixties soul artists were in really sharp sharkskin or mohair suits, and Motown artists looked amazing.

The first thing I bought that was really stylish was in 1969 when I was eleven. I saved up for a black, grey and white tie-dye grandad vest. It was too big - they weren't catering for kids my age - and hung off me, but I loved it.

I suppose I was much more serious-minded in the '70s and '80s.

I still love playing music. It was all I ever wanted to do, and I got the chance to do it.

Playing music is a lifetime's work. And if you want to carry on with it, you have to try to better yourself. You have to see where the music can take you.

I've not had Botox, no.

Nothing wrong with pop!

In all honesty, I don't know what one song can change.

There was a time in my 40s where I thought, oh, it's all over - not just work, but I'm never going to feel young again, I'm always going to feel like I know what's going to happen, I'll know what to expect. Looking back I don't know if that was a midlife crisis, I don't know - but I don't feel that now. There's possibilities. It gets better.

It's quite liberating to get to a certain age, 'cos you're not chasing number one hits or trying to be an international superstar. I've done all that. I'm not out to prove much more to anyone but myself really, to be an artist and see if there is a new undiscovered music out there for me to make.

I think I come from a time when all the artists I grew up with and I loved always used to try and push the boundaries, and there doesn't seem so much of that, really.

Of course I'm proud of what I've done, but I'm interested in what's next. I want to be relevant now, in 2012. I've done my bit for the past. I've only ever been about what's next, really, and I'll be that way until I keel over.

For me, the best thing I can do is play live. The best way for me to put over what I'm trying to do is to play live. Whether it's an acoustic show, electric or whatever... if I shine at all, that's where it all really happens - it just took me a while to rediscover that.

I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really.

All my children inspire me in life, and that always comes out in the writing.

I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really. And I'm very, very open to experimenting with different people and trying to find different methods of writing and making music.

I never saw myself as a spokesman for a generation. It was all a bit heavy for me. I saw myself as a songwriter and wrote for myself, which I still do, and I also wanted to communicate with my audience.

I was always taught as a kid that if there's anything you want in life, you've got to work towards it. I guess that sort of stayed with me, really. But also, for me, from the time I was, like, 10 years old, all I ever wanted to do was be in a band and make music.

I think people are just really disappointed, disappointed with Blair as well, who's just like Bush's lapdog. I think everyone's just disillusioned with politics in our country, and it must be the same in your country.

I think politicians are so far out of step with what people really want.

There are so many artists who get to my age that get comfortable and just stick in a groove, and I really don't want to do that.

The Zombies were really unique - they had elements of jazz and classical music in their songs and songwriting. They had a very, very different sound compared to a lot of their contemporaries at the time.

I'm sure there's a subconscious 'go for it' thing with turning 50. You want to do as much as possible and there are thoughts of how little time we have on the planet. For a lot of musicians in their 50s, the best days are behind them. I'd like to try and show that there is a future.