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In my old age, my mind gets more open, and I listen to so many different types of music and I guess that all reflects in my work.
Paul Weller
I want to see where and how far I can go as an artist. I look back and see what I've done, and I want to do as much as I can in my lifetime. I love doing it. If I didn't have that passion or love for it, I wouldn't do it.
I'm always looking for something. Not in an unhappy way. I just like to try different things. I don't want to be morbid, but I'm not getting any younger.
I get labelled as just being about one thing, but there's lots of layers to what I do.
When I told my mum I was going to play my first gig when I was 14, she couldn't believe it, cause I was painfully shy at that time. But I just done it, put my head down and got through it. And I suppose there's still a little bit of that, even though it's many years later and I've been doing it for a long time.
No man should have cowboys boots in his wardrobe. That's fair enough, isn't it? Unless you're a cowboy, of course.
I don't really wanna talk about politics, I'm not clever enough.
Most people my age, their musical life ended in the '80s. They stick with what they know. But my tastes are much broader. And I don't want to stop learning.
When I'm dead, I wanna leave a body of work, like authors or great painters do.
Music is the most natural thing in the world. When we go to a gig and we all like it and we share that experience, it's the same sense of communion as a sacred rite in Borneo or wherever it may be; it just gets dressed up different. Its good for the soul.
When I'm dead, I wanna leave a body of work, like authors or great painters do. I don't wanna get ideas above my station, but why shouldn't this be comparable? Pop music was supposed to be a flash in the pan, but here we are 50 years later, and it means something to us, and it always will do. It's incredibly important.
In the '90s, I think I rediscovered my guitar. The Jam was obviously very guitar-based, but in the Style Council I just got really disillusioned with playing the guitar. The further it went on, the less and less I played, to a point where I couldn't pick it up any more.
The Jam went through a phase of wearing satin jackets. But that was pre-getting signed and making it, when we were still playing the pubs and clubs - around '75. Shocking, really - what would you call them apart from 'horrible?' We'd wear these white zip-up bomber jackets with black kind of loon pants and black and white shoes.
I never, ever wanted to be the Rolling Stones. Bless their hearts, but I don't necessarily want to go on doing the same old thing for the next 10, 20 years... I could see how easy it is to get into that rut, the whole touring mindset.
When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble.
Everyone gets frustrated and aggressive, and I'd sooner take my aggression out on a guitar than on a person.
You have to keep challenging yourself. I've always tried to do that, and I'm not saying I've always been successful. Maybe I've rewritten the same song; it's inevitable, but I've always been mindful of taking the writing somewhere else. You can't stick in your little comfort zone.
Pop music was supposed to be a flash in the pan, but here we are 50 years later and it means something to us, and it always will do. It's incredibly important.
Right from the start with music, I was like, 'I'm just going to do this, and I don't care about anything else. There are certain things you have to give up, even at 13, 14: your Friday and Saturday nights, having a regular girl, lots of things like that. I look at Amy Winehouse, and I think perhaps she just don't want to do it that much.
I am aware of the words 'national treasure' being attached to me occasionally. It just makes me feel old.
Coming from a little suburban town, I wasn't a hip city kid. I was quite the opposite, really. Songs like 'Saturday's Kids' rang a bell for kids all over the country. That song was about the kids I grew up with.
People say you make your best work when you're in despair and all that, and at your lowest - but for me, I think happiness makes you positive, and I think that's a good creative place to write from.
When I was a kid in Woking, every week you went to the football dance, and every week the top kids would be wearing something different. You were constantly trying to catch up with them - which you could never do because, by the time you'd saved up enough to buy the item, they'd moved on to something else. That's the whole Mod thing, I suppose.
'Ageism,' or whatever you want to call it, is a very English phenomenon. You don't get it too much in many other cultures. And no one says it about authors or poets or filmmakers. 'Oh, they're too old to make films or write books.'