Don't cry for a man who's left you--the next one may fall for your smile.

Better to live one year as a tiger, then a hundred as sheep.

I'm a problem-solver.

The more things you do, the more you can do.

If you want something done, ask a busy person to do it. The more things you do, the more you can do.

If you want to do something, go for it -you've got nothing to lose.

We're here to live. We're here to do, we're here to be.

Trying to tear down the past prohibits you from building up your future.

One of the deep secrets of life is that all that is really worth the doing is what we do for others.

The bottom line is, when it comes to an actor and his performance, whether nominated or not, it simply has to do with whether that character had enough resonance with the audience. You know, to the filmgoers. And that something that you can't control.

I remember reading the book in high school and always thinking of Gatsby as this strong, stoic, suave, mysterious man who had everything under control. But when I read it as an adult, I realised he is a hollow man, a shell of a person trying to find meaning, who is not completely in touch with reality.

I don't watch anything of mine much. I haven't gone to drama school, or college, either. I just like to watch other actors in action. I learned so much from working with De Niro. I'd be in a scene with him where I was supposed to be acting, and I was just watching.

I am trying to do the best work I possibly can and making movies that will have resonance for years to come. I think if you try for an Oscar or a goal like that, the more people are going to see it as transparent. It's not on my radar. If it happens, great, but I'm happy to continue working as I am, really.

Hollywood is a very volatile place where artists come in, and they essentially say they want to belong. It's incredibly vulnerable to be an actor and also get criticism at a young age when you're formulating who you are. We've seen a lot of people fall victim to that, and it's very unfortunate.

My parents, who were split up, were so good at keeping my environment strong and keeping everything around me not focused on the fact that we were poor. They got me culture. They took me to museums. They showed art to me. They read to me. And my mother drove two hours a day to take me to University Elementary School.

I did imitations of anyone who came to my parents' house, and that was my identity at school - if there were ten minutes to lunch, and the teacher was done with the lesson, he'd say, 'Okay, Leo, get up there and do something.'

People are always like, 'It must be so hard for you, not to be able to leave your house. I'm like, 'No, I go where I want and do whatever I want all the time.' 'No, you walk down the street?' 'Yeah, I do all the time.' 'Really?' 'Yeah, all the time.'

I have to say that whatever decisions I make, I really do think that movie making is a director's medium. They are the people that ultimately shape the film, and a director can take great material and turn it into garbage if they are not capable of making a good movie.

I don't think anyone really gets used to being recognized around the world. It kind of feels like a videogame at times, especially with paparazzi and people following you and things of that nature. But it's part of who I am now.

I've been very lucky to have achieved a lot of the things that I dreamt of achieving as a young man. But, at the end of the day - and I truly believe this - it is not about achieving great wealth or success. Because they don't bring happiness, ultimately.

I believe, you know, as history unfolds, certain films will disappear, and certain ones will stand the test of time. And you never know which ones those are. And you've just got to go for the opportunities of films you think might be memorable.

My parents know I was outgoing as a child, and whenever people came over, I'd automatically do impressions of them as soon as they left; it was my mom's favorite thing. Yes, I grew up in Hollywood, but not in any rich neighborhood.

I prefer ordinary girls - you know, college students, waitresses, that sort of thing. Most of the girls I go out with are just good friends. Just because I go out to the cinema with a girl, it doesn't mean we are dating.

I've never tried to reach a certain demographic of an audience or try to say, 'OK, now I'm going to do this type of film to transition myself into more adult roles.' Or a romantic hero. Or whatever it may be - you know what I mean?