I've learned it's important not to limit yourself. You can do whatever you really love to do, no matter what it is.

Sometimes I think that the one thing I love most about being an adult is the right to buy candy whenever and wherever I want.

My favorite film is 'All About Eve'.

I don't really know how strong someone is if they're compelled to a life of violence. Is that strong? No. That's damaged.

Violence in film and television is an ongoing conversation, and I like eavesdropping on it, but I'm never sure what my opinion is. I like watching creative violence, but I don't know.

Women always have to have this soft, maternal, sort of - I don't know - moral center.

I have not been aggressive in my pursuit of being a star. I've never had a plan. Maybe I need to be more aggressive, because it's quite tough!

I don't like hobbies. I read and travel and see my friends before they disown me.

I'm always very careful to say I'm Irish-Ethiopian because I feel Ethiopian and I look Ethiopian and I am Ethiopian. But there are 81 languages in Ethiopia, and I don't know any of them.

I didn't have that many black people in my life, so I had to sort of search them out. And I didn't grow up in America, but I identified as much with their writing about the black experience as I did with their writing about the human experience.

When you label someone 'up and coming' or 'the new breakout,' there's this kind of expectation. And I think, like I said before, it's very hard to live up to that expectation when you really don't have that much power as an actor - in terms of your career path and the timing.

I know I've said it before in interviews, but the idea that all actors have their eye on some sort of prize - it being an Oscar, or fame, or whatever - not all actors I know are like that.

What's really important is the people, first of all. I like working with people who are kind, above all else. I don't really want to work with someone who will manipulate me. The idea that you must treat actors a certain way in order to get a performance out of them kind of disturbs me, and it's disregarding what we do. Our job is to do our job.

Bette Davis is my hero. I'm obsessed with her. I base everything I do on her.

My job as an artist is to speak up for those who might be perceived as the losers. Or those who can't shout. No wonder public-school people always get into politics or acting: they're taught to shout that much more loudly.

I had quite a scattered childhood. I was Irish in London, because I had my secondary school education there. I never really fitted anywhere. I didn't feel it was a negative thing, and I was never made to feel different - I just knew I was.

I'm interested in the idea that we all start off as these lovely little babies with all this potential but that circumstances mean that we don't always live the life we should.

Ninety percent of my roles, I've had to fight for. It's only a really small percentage of people who get handed roles.

If people want to invade your privacy, they want to invade your privacy. I find it chilling, and I find it awful, and it makes me really nervous. It hasn't happened to me much, but when you have a taste of it, it's bitter.

You don't come to see a Greek play and not want blood and gore and depth of feeling from your boots up.

I grew up in a lot of different places, so I pick up accents pretty quickly.

I grew up in an area of Ireland where there weren't many black or mixed-race children. But I never had any hassle; maybe I've blocked it out, but I don't think so.

When you work with directors who really love actors, who love their contribution, it feels amazing. But sometimes when you work with directors, you feel like you're in the way.

You know when you're a kid and you get to pick a movie every Friday? I watched everything. There's no particular genre that was appealing. I just loved the idea that you could dress up and play.